Salina Art Center Report to Programs and Exhibit Sponsors .. .
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SALINA ART CENTER
FEBRUARY 1988 - APRIL 1989
REPORT TO PROGRAMS AND EXHIBIT SPONSORS
MAY 16, 1989
•
411
• Salina Art Center
Operating Fund
Revenue & Support Budget
In Kind City
Private Donations
In Kind Other >� asi'��'�•,� ��>
® 34.0% Private Donations
6Q 27.0% Grants
® 17.0% Revenue
O 12.04'0 ..
In Kind Other
r J•r•. ss'..
9.i
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In Kind Cit
• y
• ij'•'J▪~f~f1f1:11tif:...:L11 fL•�.:'.J:oA.
Revenue • � ti•L•L•;.;•;•L••.••.••.•L•;•:c::."
• i: :.r•r•J•f•r•r•f•r•r•r•r•f•f•r
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•
Grants
CONTENTS. . .
Page 1 Exhibit Schedule
Page 2 Monthly Participation Reports
thru Page 16
Page 17 Grants for Programming Excellence
• Cooperative Programs
Page 18 Comments from Grant Evaluators
Page 19 Who is the Salina Art Center
Page 20 News Clippings
111
SALINA ART CENTER - EXHIBITS 1988-1989
February-March What's So Funny? Art Cartoons and Comic
Strips
April-May Contemporary Artists Self-Portraits
June-July Waste Cocoons and New Beginnings,
Fiber Exhibit
August-September East Meets West, Silks Kites and Fans
by Andy Kay
•
October-November Out of Eastern Europe: Private Photography
December-January The Second Circle Light Sculpture
with Dale Eldred
February-March Contemporary Figure Exhibition: Four Artists
April-May 10th Annual Jurored Show
Page 1
411
FEBRUARY 1988
EVENTS: ATTENDANCE
February 5 Building Opening 200
February 11 Seminars in Art - What's so Funny
in Music? 34
February 13 Workshops My Funny Comic Valentine 25
February 17 Jr./Sr. High Cartoon Workshop 13
February 18 Seminars in Art - What's so Funny in Comics? 45
Opening at Library - What's so Funny? 100
Salina Art Center Opening, What's so Funny? 350
February 19 Jr./Sr. High Cartoon Workshop 13
February 20 Nuts and Bolts of Cartoon Collecting 12
February 25 Seminars in Art - What's so Funny about Law? 62
•
SCHOOL TOURS AND CLASSES: 239
(2 sessions) Central High Humanities, (3 sessions) South
Senior High Art, Central High History, Sophomore Literature
Central, Tree House Lane Daycare.
DROP-IN VISITORS: 335
TOTAL: 1428
Page 2
411
MARCH 1988
4
EVENTS:
March 1, Business After Hours - Chamber of Commerce
March 5, Trip to the Impressionist Exhibit - Kansas City 136
March 10, Lynn Johnston Talk
March 11, TGIF 110
March 12, Writing for Cartoons 20
March 12, Put Action in Your Cartoons 5
35
GALLERY TOURS:
230
Boy Scouts, Daughters of the American Revolution, Bartlett
6th grade, Bartlett 4th grade, Kennedy School, Oakdale 6th
grade, Huesner 4th grade, Franklin 6th grade, Franklin 5th
grade, Franklin 2nd grade.
• SCHOOL CLASSES AND OTHER OUTREACH:
265
North Junior High English Class, Sacred Heart High School,
Central High School Humanities, South High School, 4-H Club.
•
GROUP TOTAL:
990
DROP-IN VISITORS:
678
TOTAL:
1668
Page 3
S
APRIL 1988
EVENTS:
April 7, Contemporary Artists' Self-Portraits Opening 82
April 8, The Critical Eye Luncheon with Andy Grundber 40
April 9, Roundtable Discussion of Criticism 12
April 12, Pre-School/Adult Workshop 12
April 13, Watercolor Workshop 13
April 13, Pre-School/Adult Workshop 6
April 14, Banner Jury 5
April 20, Watercolor Workshop 13
April 23, Saturday Afternoon Art Center 11
April 25, Mayor Reception 100
GALLERY TOURS AND OUTREACH: 107
Southeast of Saline Art Classes, Ell-Saline, Boy Scouts,
• Men's Club Kiwanis.
DROP-IN VISITORS: 347
TOTAL: 743
•
Page 4
411
• MAY 1988
EVENTS:
May 4, Watercolor Class 13
May 6, Artist/Patron Auction Preview 35
May 7, Pignic 356
May 11, Watercolor Class 13
May 11, Grandma Layton Film - Self Portrait 5
May 18, Watercolor Class 13
May 23, Active Member Meeting 40
May 25, Watercolor Class 13
GALLERY TOURS AND OUTREACH: 401
Gifted Students, (Coop) , Oakdale 2nd and 3rd grade, St.
Mary's 2nd grade, St. Mary's 4th grade, Women's PEO Club,
Oakdale 1st grade, Bartlett 6th grade: Kwanna Queens,.
AARetired Persons.
•
• GROUP TOTAL: 844
DROP-IN VISITORS: 358
TOTAL: 1202
Page 5
•
JUNE 1988
•
EVENTS:
June 7 & 8, Fiber Workshop for the Smoky Hill River
Festival 15
June 9, Opening, Waste Cocoons and New Beginnings,
A Textile Exhibition 55
June 10-12, Smoky Hill River Festival Fiber Installation
•
(thousands attend the Festival, no actual
count was taken of people who saw the fiber
installation) .
June 14, Noon Lecture Women's Images in Art, Jan
Swearingen, scholar 40
June 21, Noon Lecture Weaving and Wisteria, Mary
Dusenbury, Artist 30
June 23, Downtown Banner Unveiling 30
June 23, Text Party for Discovery Area 20
SUMMER ART CLASSES (participation numbers)
Creative Writing, Patricia Traxler 145
Ceramics, Brad Anderson 32
Mixed Media, Brad Anderson 141
Batik, Cindy Mahanay. 75
Printmaking, Sara Duffield 69
Photography,. Glen Gross 39
•
NUMBER OF STUDENTS: 130
GALLERY TOURS: 14
Brownie Troup, Senior Citizens, Great Bend
DROP-IN VISITORS: 300
GROUP TOTAL: 334
(This total reflects students counted only once, although
they were in the building multiple times. )
TOTAL: 634
Page 6
•
JULY 1988
S
EVENTS:
July 13, Annual Meeting and Opening of the Discovery Area 150
July 15, Members Children Opening • 45
July 21, 22 Public Opening Days 73
July 21, KAC/NEA Site Visit 6
SUMMER ART CLASSES (Participation numbers)
Stone Carving, Alan Tollakson 92
Sculpture, Richard Stauffer 76
Papermaking, Shannon Drews Rayl 57
Home to Roost, Lee Becker 154
Printmaking, Sara Duffield 69
Creative Movement, Connie Burket 48
Number of Students 131
GALLERY TOURS:
Friendship Center, (tot lot) , Hawthorne school.
GROUP TOTAL: 405
DROP-IN VISITORS: 526
•
TOTAL: . 931
Page 7
•
AUGUST 1988
EVENTS:
August 8-12, Creative Dramatics and Art for youth
with Theatre 30
August 12, Performance 90
August 15-19, Creative Dramatics and Art for youth
with Theatre 31
August 19, Performance 88
August 23-26, Watercolor Class, adult 9
GALLERY TOURS:
Salina Day Care
• GROUP TOTAL: 268
DROP-IN VISITORS: 675
TOTAL: 944
Page 8
SEPTEMBER 1988
EVENTS:
September 9-26, Computerized Tours of the National
Gallery
September 13,20,27, Drawing class 9
September 15, Laurentian String Quartet 115
September 15; Kids Writing class 5
September 15,22,29, Puppetmaking class 3
September 15, 22, Printmaking class 3
September 17, Fan Painting Workshop for children 10
September 20, Creative Writing Class 19
September 21, Noon Luncheon, Martha Rhea 42
September 24, Papermaking class 10
September 29 & 30, Events, Occasions and Celebrations 200
• GALLERY TOURS:
French class, Spanish class, Bethel Art Class, Mothers and
Children group, Humanities Students from Central High School
GROUP TOTAL: 519
•
DROP-IN VISITORS: 677
TOTAL: • • .1196
Page 9
S
OCTOBER 1988
EVENTS:
October 1,2, Events, Occasions, and Celebrations 400 October
4,11,18 Drawing Class 9
October 4, 18, Creative Writing Class 19
October 6, Docent Training Session 10
October 6,13, Puppetmaking Class 3
October 9, Out of Eastern Europe Photography Opening 61
October 13, Children's Writing Class 20
October 13, Panel Discussion on Eastern Europe Photo
exhibit 12
October 16, Opening of the Kansas Postcard Exhibit 150
October 20, Noon Luncheon Lecture, Photo
Experimentation in Europe, Terry Evans 12
October 22, Maskmaking Class 16
October 22,27, Handbuilding with Kansas Clay 25
October 27, Noon Lecture, Cultural Nationalism and the
Fine Arts in America, Dr. Stitt Robinson 31
• October 29,
October 31, Pumpkin Carving 300
Downtown Safe Trick and Treating 300
GALLERY TOURS:
Marymount Art Students, Federated Womens Club, Students
from advanced History class for Noon Lecture, Outreach
Activity at Meadowlark school
DROP-IN VISITORS: 537
GROUP TOTAL: 1,984
TOTAL: 2,134
Page 10
•
NOVEMBER 1988
EVENTS:
November 1, Active Member Gathering 45
Creative Writing Class 18
November 3, Noon Lecture, Beyond Control by John Jacobs 25
November 3, Lecture at Central High Sociology and
Geography 50
November 5, KU KSU Rave Reviews 53
November 7, Scout Troup Tour, Discovery 10
November 10, Kids Writing Class 3
November 15, Quivera Heights Tour High School 11
November 17, Pre-School Tour, Discovery 7
November 18, After School Class at the Art Center,
- Lee Becker 10
November 19, Boy Scout Tour 9
Brownie Scout Group Tour 15
November 24-28, Open Studio with artist Dale Eldred 43
DROP-IN VISITORS: 439
TOTAL. 738
Page 11
I
DECEMBER 1988
EVENTS:
December 1, Local Bar Association Luncheon 40
December 3, Association for Retarded Citizens Art
Contest Jury 20
December 8, Opening of the Second Circle: Light Sculpture 150
December 10, Starlights Open House 81
December 11, Rave Reviews Christmas Party 57
December 19-23, Christmas Fund Giveaway, Salvation Army
TOURS AND CLASSES:
Creative Corners Pre-School, Creative Corners Pre-School,
•
Glennifer Hill Elementary 4th grade, Franklin Kindergarten,
Franklin Kindergarten, Girl Scout Troop, Art and Science of
Light, Family tours.
DROP-IN VISITORS: 638
TOTAL1 1,183
(Plus Christmas Fund Families)
PICTURE PERSON PROGRAM
Participation/Contacts 6,000
Page 12
•
Ai
JANUARY 1989
EVENTS:
•
January 3, Study Group Roundtable tour 25
January 5, Cub Scout Group 10
Poetics of Light Performance Greek reading
& synthesizer music 35
January 6, School Programs on translations of Homer's
• epic poems -R-L Junior High School (2 sessions) 49
Adult Light Class 15
January 13, KU Fine Arts and Alumni Association Art Lecture 60
January 14, Cool-light-ascopes Children's Workshop (2 sessions) 41
January 19, Selection of OLDER AMERICANS ART CONTEST
Franklin School tours: 5th grade 34
January 20, Roosevelt Lincoln Student Recognition tour 58
January 26, ADK Teachers Group 16
DROP-IN VISITORS: 620
TOTAL: 963
Page 13
•
•
FEBRUARY 1989
EVENTS8
February 1, Life Drawing Class with Morin 12
February 2, Opening of the Contemporary Figure
and Dance Performance 130
February 3, Noon Lecture, Nude in Perspective 19
February 4, Artist Bookmaking workshop
February 7, Watercolor class, Sara Duffield 16
February 9/10 Arts in Basic Education Conference 300
February 12, Slide Sorting 12
February 14, Watercolor Class, Sara Duffield 16
Marymount Art Student Tour 15
February 17, Lions Club Board Luncheon 20
February 18, Figure Drawing for Children 5
February 21, Watercolor class, Sara Duffield 16
February 22, Life Drawing with McCrea 12
YWCA play group 4
February 23, Tipton K-3 grade Tour 30
Discovery Area Volunteer Training 15
• February 24, Downtown Inc. Promotion Awards 62
Tipton 3-6 grade Tour 40
Outreach at Lowell School -. 5th grade 20
February 28, Watercolor Class, Sara Duffield 16
Cub Scouts group 11
DROP-IN VISITORS! 467
TOTALt 1,246
Page 14
•
110
•
MARCH 1989
EVENTS,
March 1, Noon Luncheon, Graeme Gorton (New Zealand) 21
Life Drawing Class 17
March 2, Martin Luther King Child Care Tour 20
March 6, Tour Brownie Scout Troup 7
March 7, Watercolor workshop, Sara Duffield 16
March 8, Discovery Tour Learning Tree Pre-school 25
March 10, Open for Humanities Festival Students 20
March 11, Performance by Smoky Hill River Rascals 40
March 13, Tour Brownie Scout Troup 7
March 14, Watercolor workshop, Sara Duffield 16
Talk for Salina Lioness Club 40
March 20, _ Tour Brownie Scout Troop 7
March 21, Watercolor workshop, Sara Duffield 16
Talk and Tour Mothers study club 12
March 22, Discovery Tour Tree House Lane Day Care 28 ,
March 25, Spring Open House 275
March 28, Noon Lecture Kiwanis Club 55
March 30, Special Education Hawthorne School Tour 17
DROP-IN VISITORS, 693
CAI', 1,278
Page 15
APRIL 1989
EVENTS:
April 1, 10th Annual Jurored Show Opening 150
Salina Art Center Reunion 130
April 3, Sara Duffield's private students tour 5
April 4, Docent Training 6
Life Drawing Class, Harley Elliott 15
April 10, Junior Leadership Class, High School 26
April 11, First Ladies - 1st National Bank Tour & Luncheon 35
Life Drawing Class, Harley Elliott 15
April 12, Artist Brown Bag Luncheon 12
April 13, Session with Simthsonian Scout 10
Boy Scout Troup 929 10
April 17, Tour Central High School Humanities Class 26
Central High School Basic English Class 9
April 18, Tour & Discovery - Christ the King Pre-school tour 8
Watercolor Class, Sara Duffield 12
Life Drawing, Harley Elliott 15
April 20, Pre-school tour 10
April 22, Children's tour, 3-7 years 7
April 25, Kansas Grain & Feed Women's tour 15
Kansas Technical Institute Art Class 20
Watercolor Class, Sara Duffield 12
Life Drawing Class, Harley Elliott 15
April 26, Brown Bag Luncheon, Jimmy Engineer, Artist, Pakistan 20
April 27, Tour Christ the King Pre-school 8
Preview of John Brister's punch film 10
April 28, Tours for Coronado School, 3rd grade 65
April 29, Sat. Aft. at the Art Center, Be an Art Critic for a Day 6
DROP-IN VISITORS, 649
TOTAL. • 1,327
TOTAL ART CENTER PARTICIPATION 23,615
FEBRUARY 1988 -MAY 1989
Page 16
•
110
• GRANTS RECEIVED FOR PROGRAMMING EXCELLENCE
Horizons Program - Salina Arts & Humanities Commission
Basic Program Grant - Kansas Arts Commission
Arts in Basic Education - Kansas Arts Commission
General Operating Support - Institute of Museum Services
Federal Grant
COOPERATIVE PROGRAMS WITH OTHER AGENCIES
Salina Recreation Commission - Summer Art Program
Salina Public Library - What's So Funny? Cartoon Exhibits
Program
Salina Arts & Humanities Comm. Smoky Hill River Festival,
Pre-festival Activity
Salina Downtown Inc. - Downtown Banner Contest
- Safe Trick, or Treating
- Recognition meeting
Smoky Hill Museum - Planning for Joint Exhibit, Nov 1989
Salina Community Theatre - Creative Dramatics
- Holiday Tables
Quilter's Guild - Fiscal agent
Upstairs Gallery - Fiscal agent
Chamber of Commerce - Reception
- Junior Leadership, Salina
- Leadership, Salina
University of Kansas .- Faculty Programming
Kansas State University - Faculty Programming.
Salina Symphony - Chamber Music Concert
USD 305 - Picture Person Program
Visiting Artists & Scholars
Exhibit Tours
Special Programs
Development of Ks Artist, Compt. game
' National Gallery of Art Computer Tour
Saline Co. Extension - Pumpkin Party
Salina Christmas Fund - Distribution of Clothing
(Salvation Army)
Marymount College - Internship
Bethany College - Internship
USD 305 Art Teachers - Youth Art Month
Association of Community Arts - Kansas Postcard Exhibit
Councils of Kansas -
Kansas Arts Commission - State Arts Are Basic Conference
Institute of International - Visiting Artists
Learning
Smithsonian Institution - Smithsonian Weekend Planning, 1990
41 Page 17
• COMMENTS FROM GRANT EVALUATORS
FY 1988 GOS APPLICATION REVIEW SHEET
EVALUATORS. . .
Organization good. Financial management sound. Use of GOS funds good -
direct public enjoyment.
Evaluation program of your programs is fine! Again - cheers for
Discovery.Area.
Exhibition program conforms well to purpose and is broad, especially in
terms of mediums; both local and national artists are represented. Uses
for general appreciation are innovative; Discover Area should be popular
with community.
Strong program with balance in accordance with statement of purpose.
Good effort to appeal to different audiences.
Good to see Board members working as volunteers. Organizational
structure seems effective and financial condition looks sound.
Excellent, high standards considering size of staff. Indicates high
commitment by all.
HORIZONS - A SPECIAL PROJECTS GRANT
EVALUATOR - JIM POWERS, KANSAS MUSEUM OF HISTORY, TOPEKA
The Discovery Area at the Salina Art Center is a delightfully innovative
facility which has been effective in removing barriers that have
traditionally existed between the "art" in art museums (and centers) and
the majority of visitors to these institutions which have often and
justifiably been called "ivory towers. " The Salina Art Center is no
"ivory tower" and the Discovery Area is one very important reason why.
EVALUATOR - ANDREW SVEDLOW, MULVANE ART CENTER, TOPEKA
•
This is a cultural institution that Salina can be very proud of and which
is truly a model for community art institutions and for art education.
The environment, the staff, the materials and publications, the
promotional mechanism, and all the other details of an Art Center's
public programs are operational, creative, stimulating and very sound.
The Salina Art Center is a fixture in the Salina community with a growing
statewide reputation for its high quality and commitment to bringing art
into the daily lives of its audiences.
il
t •
•
Who is The Salina Art Center?
. .
1988-89 Board of Directors • Participating Artists and Educators j
Norman Yenkey President Brad Anderson Vicki Kahmeyer .,
Ii
Paula Fried. Vice-President Lee Becker Kenneth Klostermeyer .
lane Duff. Secretary Rich Bergen Dean-Kranzler•
Warren Winkler, Treasurer Steve Britt . Margo Kren j
Steven Brown Connie Burket Cindy Mahanay •
Sam Evans • Susie Campion Mary lean Millikin
Jerry Exline Sara Duffield Jeff Morin
Nancy Haggart • Mary.Dusenbury Ruth Moritz •
Karen Hale Leadell Ediger Anne Nettleton I`
Charles Livingston. Fred Elliott Larry Patrick
Nancy Macy Harley Elliott Shannon Drews Rayl II
Sallie Morrison • Terry Evans Lester Raymer ft,
Jean Reitz Jack Favre lean Reitz
Gloria Rumsey • Maleta Forsberg Susan Riordan
Charles Stevens Glen Gross Ed Scheele fl
Harry Watts Dean Groves Steve Scott 5 •
Ian Wilson Joyce Harlow Richard Stauffer
•
Endowment Committee Larry Harris Alan Tollakson
Thomas Dunn Bill Hottman Patricia Taxler •
Virginia Reimold Barbara Jarvis Bob Walker
Morrie Soderberg Ray Kahmeyer Sandy Wedel •
• Active Member Chairpersons Regional Exhibition Council
Coordinator: Nancy Haggart Robert Regier, chair of the department of art at Bethel
Hospitality:Ann Ludwig College. North Newton
Docents:Sandy Wedel and Merrilyn Murrison Margo Kren, associate professor of art at Kansas State
Gallery Attendants: Kathleen Pierson University, Manhattan
.Rave Reviews: Betsy Poer lane Eby, gallery director of the Wichita Art Association, _
Holiday Tables: Wendy Moshier Wichita
Pignic: Jamie Hall and Sallie Morrison Andrew I. Svedlow, director of the Mulvane Art Center,
Communications: Pat Slaughter • Topeka
Picture Persons: Connie Stutterheim and Nancilee Jones Cynthia Schira, professor of design at the University of
Facility: Harold Milner Kansas, Lawrence
Discovery Area: Ian Wilson
Special Projects: Lou Ann Dunn. Don Marrs,
Gene Diederich. Billie Winkler and Terry Evans
Staff Hundreds of people have given generously of their time to the
Art Center. Thank You, everyone!
Saralyn Reece Hardy. Director
'Heather Smith. Business Manager .
Barbara Jarvis, Exhibits Registrar
Lori Brack. Publications and Public Relations
Patricia Traxler. Artistic Development
'Connie Stevens, Anne Parker,'Lori Allen, Office Staff A publication of the Salina Art Center. 1988
Joe Clark. Custodian Design by y S Brack
'volunteer staff
Designed by Steve Britt
•
The Salina Journal - • Saturday,January 9,1988 3 IfraV Ile GM Ifs a it asea N - .
Art center moves to new locatior ''
• By CAROL LICHTI �a rri C i' (+
. Stall Writer ) L 1#T4•'�.gT ! I ' t `
A common response Saralyn 'rl' -,''T t}j t 1 ) ,; I! I '
Hardy hears from those viewing ,` t z ,u F c, a 4i Il i , d +
the remodeling work of the down + 7 tk$�+.ry. +&!j 'T r r, '� er rat 1 µ, •
town building that today will be- , . , ' - -
rit +� ` lam{„, ily,..t .tats >r \ ,'+t.s r r v
come the new home of the 'tlibe r f.{n ,`+f t + Lr$,,, rl" r s rt - e
Art Center Is: "This can't be s 74 r'r r:le s s rb i t s
Salina." i.Utel J "Y> Yi ttvl”el t k?1'y'pC t `. +�`Jr s 7-.t'r: '!'d-� .en -. -
But It can-and it Is. ' lft�'}ti's t 2r.. o a-" ltC : 1 tr » 'a•oi,,. '-J it:"iif .} ri J
The dream of a new setting began :4,1,,,L8-,.. ,f,�.,• 1 gl,IN:tf 1 . �.✓
several years ago when the center tt 1," 1 �.,t r` rl ` ,. ' , ‘...:t.149“ -'
outgrew Its former location on the y,' ij?jti ly t+'4J-,11.•v ''` t•t t� ' r '°� r` 7 y _ ' .
Kansas a dream come ,rii tt.,. S rl 1 115.4 ' '`,`j' r. s L ~:R v 's rs.� i
Hardy, director of the 9-year-old t, l.,.ii' 'a. !iVNtc a', .. c�" n<.67l -jF' , . , . •:,•4 3ti k sw• •
center,said Friday."The comma t%-1';',0,e.4.4�v ,yl 7 r T• `'n rW iyf + " s� '
pity stepped forward and created 4kI ,M"y ?9v)F r' r t•-,`, r L,,. ` �7 - . -
something out ofanidea." , ` essI^' M t' i.�,t,C7FiT' 'rt a"" <.x t 15h t;•
It has been a 115-yearlong 1:.;i '`'ya'"1 w r'tl Ie .� I , r
project involving the remodeling of a.'di f r •' °41ti <- + 5 r,,.
abullding at 24z S.Santa Fe from ,r.1't. <• /Sal lr!;z:s..%- � v
warehouse into a structure that can ,t 2 fx c.. L: •z r In 1�.+ t - t
display art shows, including the 1,80.?‘ f r ,• tong l ' R ,
work of local artiure It's an artistic e +' 15 s r. `r - •,
designed to t nurture the 'S chit ,&- ZS,' t• � 1 ,„�
talents of the community's chi r r. t : +` -tr`+ ,./f , s
dreg. 1 .wfr. 'tip x. ✓-, t yL C
Today,members of the centers e " ,`�r ` - :i "" " ` r
board of directors, whom Hardy it.•r x o r I 1 .:
credits for creating the dream ands
bringing it about,will haul boxes to ,,i _ r- r + z a
vans and trucks to move the center t,
to its new location. rA,.- w + d a - i - 'f 1
The public opening of the center , +'' l '7:•;1s, " •••• .
is scheduled for Feb. 18 with the y :'1\ r '?/;s:1%.:•' ,
premiere of the exhibit,"What's So Set _4,t ,lI w ._. o11•7::::-..;'-::::" •• i<--r"•
Funny,"which was put together by r "'- L,.,.... ^, t f:
• the centers staff. - •
•
largest the center feaatuu red d will ii.ii
show the history of American car , r m z`�
tome. a-,r ana'n •,. , 1L, e, 5 i o r .. :.asnY5.a;-oa'=jam n
• Hardy and Don Marrs, the de- "1019" d q li - -
signer of the building,traveled to . M1 1 '' air3 > r r r ` t
other galleries for ideas on what • 1 ° +"- et �"*ryr 4`•,'
Sauna's should look like. r s r '.r .. 4 , r r F � sc
nit opened our eyes to skylights :'' 1 , '..x v , .4 1,3.1'9 4' 1 ;
• wood Room and the openness of a i r Y /1y<<, y r i1,9 3.,Whv
gallery,"Marrs said. : MltaS; 4 t S.tj.`5,}7! r '7—F.r C 1
. An effort was made to keep some 4 1 '• Li k rca Set,TL S ht1,. i
. of the original features of the <r .t 11.
n r' r+ l f�-az 1--,. >a't
. building,suh as the old barrel roll , .illy - I,. �-
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ceiling.and incorporate them into , -. IS t'o no' 7 r � , } l yh' j.r -j - t e•the new structure.Besides a large 'e• .�:,s,�e.. ', r'� , '` e ,
skylight,the building's center fees 'x. `q.- ,'rex w"A -'r �' ;-, ,..:� -ep',: 'j'r : 1
trues boxed-in trusses of the ongi µ'r t>,rr,s, ,:.{'`+-y-ir fi° - } ' c _'• rt e
nal structure over an all wood .' ".( eiS-S,x.`y.+`.rar+tt." ' . 1 �tI 1 a-z s
Boor. i:tiS•prt...rG..r, tt-.. 1 • ,: 7-,'(l !i n (as:-...t.,/,,...t.......'-I .%% ..4-r"r
The center's entry gallery,which • ,,.+...,=e;j: .+�..-- F- --- +,•-;y t ' "o- / •..c,zr-"rr yi••.n: rte'^'-r.L'�
will feature the work of local art- T. 0- r s,rl r114t.CJRty,.,i - "+'-: ^"
Isis,also has a skylight, with the 1 x ' �. �, , Y?•••w rr• x-F-evvv11viii-•c -i-0.4.1. .�?' ,4%"1- vnnr�
original ceiling work retained. t°,, e- ^ .t...x`•,•*- 3/4..ei.•a-`'Ixc "' . to . "
The center combines the use of - . , 7...a«..r
natural light through the two sky-
lights -- ;
and controlled lighting in the , Bill Medina(left)Don Marrs and Saralyn Hardy talk about the new Salina Art Center. ,, . - , •
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center's main gallery. The main ' •
gallery is twice the size of the The discovery area, combined whelming support from the corn- unusual for atownSalina's sill :.
former gallery, Hardy said.The with the gallery, will make the munity, through volunteers and "It's very unusual to have built a
center also has a security system to center "both a quiet and active donations. . . building of this size with private
allow it to house major art shows. place." Thus far,the new center has cost funds, having started with oath-
Marn said the security system The center's hours,which prob- more than $300,000, Hardy said, ing,'she said.
includes fire alarms and motion ably will be expanded,haven't been and about$20,000 more Is needed. From the beginning the center's
detectors. The motion detectors decided,Hardy said. The center also would like an addi- board members "got the glamour
will detect any motion Inside the The remodeling work began In tional $20,000 for an endowment of what it could be." '"
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building and will be connected to August and was finished 30 days campaign. The total building and The center's utilities will be paid
the Salina Police Department. ahead of schedule. endowment campaign Is about for by the city.
The center also has a classroom, Bill Medina,the builder in charge $400,000,she said. "It's a good publle-private part
kitchen and will have a"discovery of the remodeling,said the workers "It's been a very successful nership,"she said.
area," where children can get .and subcontractors took a special campaign," she said. "People •
hands-on experience with art.The interest in this project.Hardy was really see the need for an art center The center also works with the
discovery area will not be'ready planning Friday afternoon to bring and believe in the mission of what Salina Arts and Humanities Com-
i until sometime later this spring, the workers treats for their efforts. we're trying to accomplish." mission and the Salvo Beaeatloa
+• Hardy said. She said there has been over- Hardy said such an art center Is Commission.
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4 Saturday,February 20,1988
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.Art for everyone .
Say "art" and few people would stop in for a few minutes on a lunch
• think"comic strip." hour or a break from errands as well
The exhibit that opened this week at as a place to go for a program or to
the Salina Art Center proves there's spend some free weekend time.
art in the comics. What's more it The current exhibit has something
proves that the Salina Art Center does for everyone from oldsters to young-
not plan to be. just a "highbrow, sters,from connoisseurs to those who
boring" place downtown frequented don't know a Picasso from a kid's
only by a handful of art connoisseurs. finger-painting.
The exhibit, which traces the his- For those with a special interest in
tory of comics from their beginning in and knowledge of art there are spe-
•1896 to the present, is the first for the cial treats: an early cartoon by
art center in its new location at 242 S. Lyonel Feininger,for example.
Santa Fe. Along with the exhibit, the For youngsters there are original
center unveiled its new building. drawings of current favorites like
Both the exhibit and the building Peanuts. For the grandparents there
are admirable. The renovation of the are old-time favorites that will bring
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old building preserved distinctive memories,like Krazy Kat and Winnie
architectural features while creating Winkle.
. pleasant and functional spaces for The gallery is open from noon to 5
exhibits, gallery talks and hands-on p.m. Tuesday through Sunday and
art workshops. from noon to 7 p.m. on Thursdays.
It's a worthwhile addition to Admission is free. Stop in and take a
Salina's downtown—a good place to look.
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OCaIIICansas Friday,March 11,1988 3
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Lynn Johnston,creator of the comic strip"For Better or For Worse,"thinks her personality is close to that of the character. "Elly.'. .
i Lynn Johnston lives in two worlds her real • teThe writing condition Rod buying hnportset o
We and the life she has created In her comic '1'lte only condition cartoon Johnston set on the
• idea was that the cartoon husband buy a new
0 strip,"For Better or For Worse-:' . Om1 41' sports car and not an old car like he did,she
The strip cannot exist without her,but John- lA ll Fy said,
ston has about as much control over it as she
V "lie had no idea where the strip was going
does on life Itself.
"I can't predict what happens In the strip," •• after he gave me the idea,"Johnston said."I
she said Thursday afternoon In the offices of relief vs,.:.-. . had a lot of fun with that feature."
the Salina Art Center,242 S. Santa Fe. "It's The cartoon husband bought a sports car but
frustrating. It dictates to you what It will do also suffered an accompanying mid-life crisis.
almost like a Ouija board." "Poor John came out a bit of a dupe again,"
The Ontario, Canada, cartoonist was In Cartoonist has two worlds she said. • -
Salina to speak at the center Thursday night living through characters Of all her characters, Johnston said the
and to speak to students today in conjunction husband receives the least attention because
with the "What's So Funny?" comic strip she finds it hard to write from a man's point of
exhibit on display at the center.Johnston also By ALAN STOLFUS view. Sometimes the attention he receives is
will have a talk at 3:30 p.m.today at the art not the best.
center for secondary students. I • I From time to time (my husband)will roll
She began her strip nine years ago,and It has • his eyes anti say'Poor John,''she said.
grown into one of the more popular comic like thestrip.It has all those emotions." Johnston began her strip when Universal
strips today. The emotions and ideas come from John- Press Syndicate asked her to create a strip
The strip,which runs in the Journal,chron- ston's life, and she applies them to all her after seeing her humorous books on parenting.
ides the Patterson family.The Pattersons are characters. Parental and marriage frustra- Johnston thought her strip would be rejected,
closely modeled on the Johnston klan:a work- lions come from her life today.Growing pains but the syndicate offered her a 20-year con-
ing mother,a dentist father,a teen-age son,a that characters Michael and Elizabeth face tract.
young daughter and a dog. come from her adolescence and teen-age In 1980, the National Cartoonists Society
"I am so close to the characters,(Elly,the years. chose Johnston as the outstanding cartoonist of
mother)and I are one,"she said. "All that Insecurity and anger comes out in the year.Johnston is the first woman and the
Readers identify with the strip because the comic,"she said."I'm drawing myself as a first Canadian:u win the award.
Johnston tries to show all sides of her charac- 7-year-old and as a teen-ager.It's very there- The award is voted on by other cartoonists.
ten,she said, peutic even now." including those who draw the comics Johnston
"I try to make every Individual both the hero In real life, Johnston's husband bought a grew up reading.
and the villain," she said. "Whereas Elly sports car last year that she described as a "I never expected to meet my heroes in my
might be the perfect parent on Monday, she "most useless car." When she was casting lifetime," she said. "If I had a thrill of a
may bomb out on Tuesday.That's why people about for an idea last fall,her husband sugges- lifetime,that was it."
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Saralyn Hardy.director of the Salina Art Center.and art critic Andy Grundberg examine artwork In a new exhibit at the center.
Critic tries to enhance art knowledge
• By SHARON afON1'AGUE Ins' Self-Portraits" exhibition vision of human life, Grundberg ' between the artist and the wadi-
Stall Writer that opened Friday. said,but by the Ideas and evidence ence.Grundberg said,and that it is
Criticizing a work of art goes The primary purpose of crib- they present. the Job of the critic to explain the
beyond registering approval or cism,Grundberg said,Is to suggest Therefore,the critic must have a meaning of a work of art.
disapproval for the images, ac- a context for understanding or ex- frame of reference from which to However, a work of art has as
cording to Andy Grundberg, art plaining a work of art, and to do Judge the evidence, such as an many meanings as the people who
and photography critic for the New that, a critic must evaluate his the understanding ons of art history Grundberg
look at it because everyone has a
York Ttma• response to the work. different frame of reference. ••
Grundberg, who also U the co- "To be critical, you need to be said.
author of the 1987 book, "Photog- able to analyze your own responses Grundberg,who studied English "Modern art doesn't need to be
raphy and Art: Interactions since to certain pieces of art,figure out literature and poetry,said he uses translated, because it can explain •
1948,'and co-curator of an exhibi- what you're feeling,and then how that knowledge as a reference point itself,"Grundberg said."The critic
Lion of the same name that is tour- that relates to the larger,cultural and draws parallels between writ- Just gives a tangent someone can
ing four U.S. museums, spoke at ideas,"Grundberg said. Ing and photographs or paintings. take off on,because there are lots •
the Salina Art Center In conjune- Works of art should be Judged not Some people have the mistaken
bon with the "Contemporary Art- by how they stand up to an ideal notion that a critic is the mediator (See Critic,Page 15) -
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26 Thursday May26 1988
The schedule: -.
Sculpture for Children — Instructor, Alan
Art Tollakson; grades 4.6; July 1921, I to 2:30
P nt
Summer rt .Lakewood.
A
Slonecorving for Adults — instructor. Alan'
Lakewood, adults; July I8T1, 7 to 9 p,m,
Program to Indigenously Spatial — Instructor, Richard
Stouffer;grades 4.7;July 25.28.9:30 to I I a.m.,
Art Center.
Indigenously p — Instructor, Richard
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be offered Art Cent adults; July Spatial 7;30 to 9:30 p.m.,
Art Censer.
R Yi Permokln9 —Instructor. Shannon Draws
grades 4-6; July 11, 13 and 15. 9:30 to
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The Salina Art Center and the 30 a.m.,Art Center.
Painting and Drowing•Beginning— Instruc•
Salina Recreation Commission are tor.Bill Hoffman;8.10
joining forces for the second year to a to or 10 to n Years old;start June 6,9
Friday a.m.Monday. Wednesday or
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offer a Salina Summer y(one per week).Lakewood.
ummer Art Program Pointing and Holtman; 10.12g-Advanced_
t0 Children and adults. tor,Bill week) 10-17 years old;start Instruc•'
I1 a,m, to noon Monde Wednesday o Friday y
Nineteen workshops and art-
Painting per week).Lakewood o or Friday
related activities will be offered June Painting and Drawin "
structor, Bill Holtman; high school School sl de t,:•.
6 through July 31 at three locations: start June 6. 1 to 2 or 2 9a ,chaal awd.n,,: '
the Art Center,Lakewood Lodge and week),Lakewood. P'n. (one per
g Watercolor Workshop — Instructor; Bill
Marymount College. Rottman; adults; start June eight sessions(one per week).6 7 e . p.m. for to•
Classes will be offered in painting Lakewood• •
P g Beyond the Trees:Poste/Painting—Instruc.
–
• and drawing, sculpture, papermak- tor, Barbara Jarvis:adults;July 11. 13, 15, 18,
ing, creative writing clay and seh°^a 22, 8 to 10;30 a.m., Art Center and
cer-
amics, batik, needlepoint, parks.
P mixed Creative g Writing-a — Instructor,
media, printmaking, photography Art grades 1-3 June 13.17. Patricia
noon.and grades 4.6.June 13.17, 11 o p. to
and creative movement.
- Art Censor. I 2 p,m„ .
Each workshop or activit is de- C and Ceramics— Insloc or, Brad An-
y derson: grade 5 through high school;June2i
signed for specific age groups — I3,28 8 and 30,9,o I I o.m.,Marymount,
from preschool through Batik —Instructor, Cindy Mahoney;
Workshops g adults. s b;June 20-24,1 to 2:30 uctor. ,Art grades
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p usually meet several
June Ii, polnf_1ns,ructor, Center.
times fora one-or two-week June Art 21 and 28, Jean Reitz:odulb•
period. a.m.,Art Center, and July 5 and I 2,9 l o l l•
Enrollment is in conjunction with • Mixed Media-Sights and Sounds _
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the Recreation Commission's 20,22and Anderson;pre.schoA to enter. s��n� •
summer youth program enrollment. 91°l0:3o a.m.,Art�,^,ef
kindergarten Rhou h Instructor, lee Becker;
It will be June 1 and 2 from 9 a.m. to and 1s B grade 3; July II. 13. 14
It will
in the Central and
•9 to 11:30 a.m.,Lakewood.
High School girls'
Portraits — Instructor. Lee Becker, grade
gymnasium• hrough high school; !ul 18, 6
' 2:30 p.m.,Art Censer,July 20 and 22, 7 to
Classes are free for preschool Printmaking — Instructor,
through high school students. Adults
grades Cep er.June 70 2d, II a.m.So 17��fliald:
will be charged an Photography P m
g enrollment fee
grades — Instructor, Glen Gross;
and will be required to furnish some. a 6; two sessions, June 13 and 15 and
June 14 and 16,8:30 to 10:30 a.m.;Marymount.
or all of their own supplies.
Photography June 13-17,adults: gra — Instructor. Glen Gross;
The program also is supported by • cr.atlxe Connie 6P'm.,Marymount.
K mart and the Kansas Arts Com- a'rm'or. Connie ear Designs In Space—In.
Jul ket; junior high to adults;
mission. For more information,visit Art Center.
, 18,20,25 and 27.5:30 to 6:30 p.m.,
or call the Art Center, 242 S. Santa
Fe,827-1431. .
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Children plunge feet first into art •
Children's work to be tent - - •�'y"qt.•- "` -
at Smoky Hill River Festival ;•,, ` ices .i
By LILWAN ZIER l .$ , +// yI
Stall Writer apart of the idea is - •
to "°- i `(`' ,.
Eight-yearoldJohn Henningsen u - . ,pf,A,�$ /.�`lf�
•hawomethn Toes ay hoing that to learn more about \' '� .-t■ 1M', l�.r�(J.
printing and the cloth ; is
Black paint dare oat home.eenhlstces �` J Y+� z--
anddrippingoffhisfeet,John and to develop sen- :.. ` ` •
pranced confidently across a clean, Sitivity to the cloth." . ' ..:• "": - ;:- '.`N'; , it '€
cream-colored cotton cloth. —Ma Dusenbur ..• '4
He then bent over,buried his hands ry y 1 - 'y[l,h ry
in the pan of paint and slapped them textile artist ' y - sr sect,
onto the cloth.The paint splattered - /
up his legs as he smiled delightedly. 1 - ' i '$
John,son of Steve and Linda lien- 4 I ;• . yy
ningsen,Saline,was one o(le chi l• conversation you're having
Dusenbith the , : . ..t r� ',?• �4 Y,
dren participating in a textile art cloth this afternoon,"Dusenbury told '-1.' '�d4. ,3s.'
1 workshopatthe Salina Art Center. the group. T. ,' 'teltTY
Working with partners,or"bud- r, �1� ,• l,.
During the afternoon,eight Junior • dies"as John called them,the chit- y . r,• { '4 -4.1
During high school students panic- dren used their hands and feet—and 2,,• t i'.- s;i Y
"Pan of the idea is to learn more were encouraged to use other body ;I3' ---
parts—to create patterns onl'h• ' •
about printing and the cloth and to . toct-wide strips of cloth.The strips Jlt l v� t t �n •�
develop sensitivity to the cloth,"said se' >•'
• Ma Dusenb unbleached yards muslin and made d .r. ,.01
Mary who led the workshop unbleached muslin and cotton duck `' �� "71— " - b
textile artists who led the workshop. cloth. .3 -• ' ;>Ia� t` ^^�-
LindaKelly,Emporia,alsohelped John's buddy,Scott McKenzie,9, _ , -'F"h'rt'=
with the workshop. used gray paint to make handprints - ,3 ;`,'�., a •
Dusenbury has studied howprlml• and footprints. ..,.. ; '
tivepeopI began making and using "So now we have gray and black," •�ZZ Nwy;
cloth.Because it is difficult to paint John said,adding that the paint was i" „�•
on clo[h,peoplefirstpainted on their "gooey"Scott described it as"slip• J. '-;,•) ,.. ""'��'_--`' '-"�
skin,she said.They progressed to Pen,•.. '�'" r i r` -
painting on cloth and eventually Neither e,the
but boys had painted on }
began using more permanent paint. cloth before,but John said,''Me and
••We're going back tooneof the my dadlike to work with wood." / _ ,+ 1 Cleo
Today,the participants will meet
first ways al patterning material," .;;Z,..1,::,•„ia:_ 'i{;. , •_Y:-R
In Oakdale Park to weave the cloths �' -
she said- and form a tent that will be displayed •°+ - _„�1._'. t”=-
She and Kelly explained to the this weekend at the Smoky Hill River x^-,:.�cyy`Y;..•1'i •
•.rticipants that they could make the Festival. . - . L•
paint marks as dark or as light as Dusenbury instructed them to y1-, 1%• I they wanted,as long as they were bring worn out,brightly colored ro,v"^.. • 1 'w
conscious of the lines being created. clothes that can be made into pen- -i?i!",: ° pr -ten
"The mark is tike a memory of the nants to decorate the top of the tent. .i ••r .•
1�c z- r ,
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The festival +' �' •
'
r ,r»
leasing local musicians,7-11 p.m. ;.rr„� t�l'..
r at Oakdale Park Gazebo.
Friday �i
•Big Dance Band teetering Hays
.4141.. t Big Band,6.10 p.m..Bicentennial - r:. ;:
�!• Center. �. .
.•1 . ■Batas Brass,8 p.m.at Gazebo.
•Cnnsin performs Teen dance, y .
.
_.
_ Saturday Tr
�,. •FritCWSFive,S-mleand - 'f - °"'
f, ;- 2-milenus,8a.m.rKenwood Park. r' .S - '1"1vk'
•T 1 ..r] A2-rnla walk begins a.m.
■TheDataa Brass,10 a.m.at
h • .• , _. C-+ Gazebo and 8 p.m.at Stage II.
ri +L. , •Safna Municipal Band,noon at _
4 f, �:. '.' Gazebo. '
? •g j scity ughtorchestracnncert,
a - AIL- 7:30 p.m.in Bicentennial Center. },
e t i•Y �"�I` ,r /Tne Mamas end Papas Doncerf, i
3,i % 8:30 p.m.ii Bicentennial Center.
•'.. ■Tne Desert Rose Band,9 p.m. + ] ` :v .t..
Sunday,June 12 -
Thursday •Safna Jaxnal Classic,a �y - _
• :
�WQQdy May and his plays 25.mile bicycle race,8a.m,In �yy F
harnorka musical perfomtartoe, Kenwood Park ` ,. q�wr �. , .
830 a m.al Sake Post Office. ■The Dallas Brass,2 p.m,at �� sl: 0 •®® cr.:-
12:30 p.m.downtown and 4:30 Stage t. ., .•,,i:�. .
pm.at Central Mal. •The Butch Thompson Trio,
■Festrval Jam'88.ajam sessbn 4:30 p.m.at Oakdale Park Gazebo. - 1.m Dona/ ,
John Henningsen,8,leaves his mark on part of a tent canvas.
• s. M 1n„ij� v "'t Y) rn 5p•t'ft ( R tot r(i�1lk'I{�` n
c: yA wv",,,ea� l�sc e'er `.Vt-J kty6 S'�"nnai 'nitlair'' r az
; 1.7.+'"!' . r( a44'rl to .s4l,'\' -,4 t44P' 'T�. . �t ..
• ,. f rf Art•i • }IJ till till /la r 4( 1 �T'\ }Ij/fi t 14.t.:%'' .
lib 1 fit �aAt lY.'• . ,.ales r - -
Sa;:y4 rjjrC..,11 aid , V`a,• i,-.. ,;..:`,i s 0 Y�Ybe '4, a s' (Continued from Pagel)
' " NC'1" y .•'� i+'V Y �' f t11 Thursday,'a\Tai we eai+ett will me
y e iN,keirlt`� , .fit l b what we 8eL Obnously,vwbn
aa-} . �,, ty�{ I . J� rt {: . will play an important pan m row
• � GT 1,u. it}I. 1 •W� t Y p y�3 .successful it ls."
l ll ,F In e yti� t ��t }'• The Discovery Arca was developed•c � + 'fs 1sk'''.1
when the space became available at,
fi -'`!r 1 � w F .yq'� •, 7 the Art Center's new home al lei S. '
a;; ! 'ft:4'd Y YVwt•• �T,y,c i .t .,t Santa'Fe. Plarvun8 for the area•s �S` '1ti vY r tlfl t began In March 1981.The,resit the
l.M,.tt ( f.f only one of its kind m Kansas.
eLp,w a I T�T� j 9 i Rrj� Funding for the area came 4¢a
a I i donors and special lwd.raisers.All•' •1 , ' :! d. ',facet; `iCj,rtsy' t of the ideas Inns theareacame vet-
,'/ ` l' ,rf i K4, e a4 n ` . area redto end reaneon who vet-.
7 s m , nattered eahwaereaigne .
1 ./ #'''' '''i'''''''''' s M IN ^a� The area was hnic designed add ct
. . +(/J"•, 1t�y t y , '`+t u f } !I .'of the by Ed rid HaU of director .•• a .y�s'.d[ik4,'.,, Lr a t�rJ,'f• of Ne Grt)'houne Ha0 N Fame iv•
.. Y,,g .,'�-4`•�t•,ts�L ! t Abilene and owner of a private ea•
• ..4 G. Ate` Y.K, i a. 'NPRdesignbusineesthen -
,.•�y 5± Mite, �.y '� •• ,v S yr 1 ;i : t This is mat a pIS)grown4"WSsm
vs ��y�t+.�y vIY"y f said TTis es a place that we bone
a r S...,,..;1•.A• e45`-'S (r/ rr 'n give an on u. an and
4.—. e rho ..t 1 � -.ra za ) I /, wOffsials from arowsd you."r.
u. Officials from Ne National En-
dowment of the Aru have been her
r- r _ 'ff} vii L•4 1 r c1."f ,� S1�rk•' pressed.
D n Baker,one of the endowment's
` • ,F chairmen,was at the An Center co
Thursday to evaluate the aru and
see it it had possibilities to be rec-
ommended for agranL •
6 )• a I 'Ixas uv[rvbhned b)i4"Baker.
r �ifyyi.yjj'�'�i 'vt e4 f ;`.....24:46-,r I F x}t ri: asim•le Danaa1useum nfAnhas
q 4 5y"'t1 if r ,. f - a similar protect but it's not at the
• i�• 1t rw 1w k ( -1,;":'''..---.r J k•. u + k ter of the¢bter.IU reat)aw or;
s Ete) 10 t y.if Lv ♦Cr (ipA\si ter or Ne canter.lU hurt Lleab has•
! t:74.114 r A �J o s J 'v.,, f v kite to do with young people learning about art ea-Pres-Pans.
la vy � (, t-e ay�h. t �:•� `)y RC':• tpj Fd 11 47;(919 ft Baker said there is a possiY7ic-•
J l ♦ \ '` tti4 "x+fir �}'•y)� y,, that the Discovery
from the Arend E roc
1:0'�`, 3a !,1.`y{• .t \if �'rt{1fr+!'y +s�V lion funds from the Ara and E4uu
eive_ e k> 1 Y [vIp )•x s` Ms VAR ' fy} bon department of the\auaW En-
. ( 1 dowment ofene Artt.•w .+.. rR d y'. \ nn a y p• 1 +a The art center he wire be when new•
. ,p s - v �w""•°•z ,.....t4;',.. ,q�r (. activities b the area wlsm tuMa
'ads,.', I j C, ✓ ,.•. 5 ] s y b One of Ole pr e.
.1 • i�,Wir.1' � y el.+°1RftL}t Cl + t One of Ne ProleclrinwntlsK 6a
Q.pry�', t cow user sbupn.Ifi one cmputer,•
I .L T g('Yt�. -`5A 7'¢�S'{es""w,Sa h �! J t:�Iry dtildren win turn vocaErt!ar)'.Dn . .
j u Hn <MF, y4 M 5 yrti N'kt 5�s ia.-a 'to help visualurges will beebwn•
t !y 4i'Nef(��.} t !VS d4„ ilp'1 t♦♦ ly•l ! t rI pn r to help the children learn abut ea•
• ,•t•O, h 1[. ea+'-a,,,I,Ci.[I l.' r +'k}ll to l p, �lY�l L Iva pression.
•
t %1 Y t Y a h.
..wane,.,
::;,Jahn Patrick,4,Saline,gets help from his mother,Joy,Friday at the Salina Art Center...,...
•
Discovering art . .
•Children get hands-on experience at art center.
BYNICOLE SAUZEK For example.It has an Brie trig-from the. . ..
ord . •
SWf writer 1. • "cafeteria"-serving I''r:I:•sic elements of art.The•
•
• Eigh4Yearold William Murphy dropped a marble''children can pleb up i:ni19'.tlic components of art-
down the tubes and turns of•contraption he had built . line,alnpe,color,space and texture-on a cafeteria
just minutes before out of the brightly colored pieces tray and utslle tl¢Ir own work of art on large
of plastic, ' magnetic boards alums;a arsil.
. He smiled u he watched the marble travel to the There Is a huipl em::baa marline to show cause and
bottonL Ills Inventionhadworked. .. . 'effect.
"Now I'm getting somewhere,"he said while ity nth-My lt
And there are nth-My carousels with six Individual
. !amity sadding more tubes. I' . ' art activities and 15 balivli:nallzed activities In bags
Murphy.Mentor,was one of the 30 children who.' designed by area ed':ra<ers that the children can '
. ..swarmed Into the Salina Art Center's new Discovery_ carry away and explore. .
''Area Friday.the area was built especially for kids so ' ]t was at one of the auSeusese lhnl ma h es
they could gethandsan experience with art. rP y w
•The new area was opened for the first time Friday building his mas:crplrce, x'bae around him, other.
as a trial run for the children of area residenti who are children l:marled from cnc actiri:y In the next. •
• members of the Art Center. Saralyn Ifnrd)',the dlreeler of the art center,and'
Jan Wilson,the toter:Major of the Discover y Area,
• The grand opening of theareawil be from nooneo7
weren't sore ee4p a C•.
t'e peel e child n.
nt
pa on Monday and noon tosp.m.onTuesday, " 1'r"vi'•.g in a IaSoratnp;' Hardy laid . i •
The Discovery Area has several a0livlHes created t
'to teach children more about art and Its elements. . ISec�rt,Page 111 I
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ZVI VI FinC d - and m
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Thursday,November 3,luau n
Private art shared with 5alinans
•
Photos capture ;;V ytW x �p
eastern Europe ,r :` rtsi, {)}j't,-1ty'
By MARISA DANIELS ^ , yi. 1 , istie- �-
Slallwrller r :" _fr . +:'t •'t . 'f .t.
� i + r �,J ty1 <
A man whe worked behind the It . - '
scenes to display photographs. * r. r ; .1 n i'd t' ,. ;t, 4.1". r .
ow
. taken by artists in Communist a •TFn JA"`'?l .
ti - tF
eounMes putts to talk about his - '��, Q�ie , � �? Her.1�u'i`�'•1' a� ,
work today in Salina, where the 1•101011k ; 1fl1�+ r .0. o,1 sl- Qt,a
photographs are displayed. " *,� f , +.
John P.Jacob,curator of"Out of R
Eastern Europe: Private Photog- , '''..P;',1‘ -5.:-.,i/..‘. -" r 'a 7 t
raphy,"on display at the Salina Art f�`l',. ,`r.07, I,..4, inc., '..:+.i l q , t r ' .'-Sf.}' ` '�
Center,plats to talk at noon in the „46,—,;47,,,, '� , ri� .
main gallery at the art center,242 f x' , - '` 4 S ,
S.Santa Fe.Tickets are$4 for art r-• , ; . I „ . - i ? �,r / ' rr t?_.:r�
center members and $5 for non- e •
• The "Out of Eastern Europe" ,.'T. ,J3,_;k . r 1 .•
exhibition Is his most recent as a
curator.It is a collection of pictures - ., r J ' .
taken by 30 photographers in , r A° vr. $1 "fir v 4 , '
Czechoslovakia, East Germany t? wt , ' , c" .tit r •
Hungary and Poland. The exhibit i. /3.4..4 as 1 y, . i r'rh ,, 1r.4 bt
has been on tour In the United ,r < . 4f, ; lk� r r I
States for the past two yeah It has ` y I L , 7' .4 1a1 r� e A�.(!4 , y t r
been displayed in art galleries m . ,. ..we l;iz..., g .bi ne
Boston, San Francisco, Chicago r - ,` d K: . i �� a .
New York and Portland,Maine It +� S '-k t(�^t�. J ,,-.4sgE4ld.tA"5�. l'�" t :}..F ' *' -
is to be at the art center through : `, +i+ , , i V. t +. mt F 5
Sunday. 4 �' ilr <1.. t r :�.it t-^s .
Many of the Photographs portray 'i < 1- -r ' + - ,
the landscape, people and culture i l -,� ` 'r r� r ,i i elk<Y t ! .� 11 r r.
of eastern European countries , w ?• , I "y'' r Jt' "r '. l., i r - w -.'�yap
Jacob said. Others are meant to '- -? .� ` r�n tw'� r t a 't I✓v, ` , , _ I:( nc
communicate a political statement K• "- 13.„%aM� �eititi` „ S Njir c:rJ ,r4 t ' r, i` 'a w wash,,a�
aFsMcountri otographs arworks," he n't take them with 40,. °SF+a i 1 r T,2 i i�N.•ti 'r F T�¢� ` ,:t Mgt.
the intention of displaying them in '� ` t r �i�,t i r ' t L.;'4. !'yt ���lll'� .t ' t �a,'U
•
public, but rather for the sake of , r it 1 , )`+'„p"iJ'4 it 'Cri h '� .
expressing themselves. , r t.i<'. 1 i , 2 ; J r i 41,54Z•lpfl I f J y �. .n
"U the artists tried to exhibit L r ,i ,+, cn 1 r , r 9 iXu ,
some of their photographs In their , t: . Y, I 1 s ° �A I `..a ..,, 1 I .
own countries,they would be sub- ,: i' fi -all , ,, , ,� 1 $ .,.-:.:..;:%;.f i r 'L t y.., .
act to the censorship,,, P . °„�...:,: il dt �t h fie la`.r. S. `� . •kt�- .
• Jacob, a free-lance Photo- "9Y. I ft:4.::d: 1 v -_ '
grapher, writer and curator, has ., r..H.,”, . .
shown his work and the work of John P.Jacob rests his hands atop the photograph"3-D Movie Scene with Gun"by Leupold/Leupold.
others In numerous exhibitions in
the United States and abroad since • .
1979.Formerly a New York artist, and they asked me if I could take that we use only a limited range of to send negatives, but I got hurt_ r
helices In Austin,Texas. ' pictures. I told them 'yes,' but possibilities. dreds from hundred of artists,"he
Although many of his exhibits, really didn't know anything about "The work of east European said. -
including the one at the art center, photography.I took a photography artists is different because they The negatives were printed for ` '
have been popular,he said he dis- class one semester at College of the work in a different economical and , other exhibitions, but this display
like photography as a youth Atlantic In Maine, and after I fin- political context than our own." uses original prints from the art-_.
"As a child,I wasn't interested in fished,I was much more interested Isis.He originally planned to pal lo-
photography," he said. "My in photography." ether a handmade book a[photo-
grandparents were photographers Several years ago,to add a new 6 P Jacob began collecting photo-
and whenever I'd see them coming dimension to his work,he decided graphs from a handful of eastern graphs for his exhibition in 1983 and
European artists,he said. spent
with their equipment,'would run.I to study the way photographers in par several in years traveling
hated it" east European countries worked. He sent letters to artists he knew Soviet bloc countries collecting - ,
He fell into the profession by "We don't see the varieties of in cast European countries,asking photographs by artists there and '
accident,he said. ways of working with photography them to send him negatives,whim studying and writing about the art,
' "I was trying to get a Job at an that exist,"he said."The standard he would print. politics and cultures of the coun-
architectural preservation firm of history of photography shows "I expected about 15 to 20 artists tries.
•
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q " u , ��
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h? ue sd�. 54. sl� i• �,fi n ^� �vE • •
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tItiin . sus -c.'>: r r K '?n l)t a it:?''. 1 ,5,' .. h rt t fi ta 3 ,'M ,J-rt' , t.,,. t ,VJ1rs , t• r y t ,
• ♦ �^fcf7 t"�r+` i ,R±i.Y'4rrt �i* rrf{r )"(e* .1 `..�� l■ "' ^I 1. ,
4 t n x YF r ryZ�i r Y• ..,:s I -.? .47.11"+•!�'{ry',�y.3 "°� ':'•r`Y, sK.Str_'>TL 1 �i 3 r t�r+< 4 f 5± 4 -.s .i:
iron enia...
Using elements from his exhibition,artist Dale Eldred holds a tumbleweed while a red laser beam traces an image around the room.
. • light creations to brighten art center
.By MARISA DANIELS t:"P n,y+,,.f°.•' � .,,^ To see the exhibit,vGitors walk
Staff Writer .,1 r t F �i`+` .'a1, ,•?fj ri + gip"rw.F u
Using n' Saf z r`,` •. ,'tom up a small w on the to t small
sing tumbleweeds and laser Y.;.•^� :VP' r �• , l
'M„rr l I.j}nl. I A. wyt! boxed window on the front inside,the
- Deam,' Rata+ Qty erred Dale ; `i r f ,
'1 7� Li lr Y-ill , . -,I ^ '+,' .' raj flashing will see a window.
ight abstract suspended i o
Eldred txeate'wtnul Poetry N •.t: y s i. ,
leis ezll1Mt of light at the Salina Art i4 'S Ask' �' y'i•i t (, rr t I • 'n9 •11S• •t..,� i , p ,- Dashing Purple Mont suspended th a
Center,sssS.Santa Fe. 4444 YA-Wt.. + �1f-w.'St'j� a y,Y' differen
M art isn't about bow to sell a +`s r ' "
•• y �� • one'This M designed for viewing
watercolor at a trade show," /•y.� , • gn wing by
Eldrodsald"It's vlsualpoetry '' r " } ' I . >Ity ), y k7=aa one walking person — or et," esaid.
Eldred's said.
show, "The Second - ,k ,r • , r y walking down the street,"he said •
Qrcdred'sll beDee."he Second "n s.arr•.. ail 1•'i a 'x the vacant trapmokesthrsnace oi
tcle,"wnter. y�vtir.Ae-Leik. �`,�-�y�l s•,,, + e�vMv s#� ,'i�"'dr+s" tiro vacant store look difterentfrom.:i
The exhibttlon focuses en light t'"i '>"'s�r ., t "Ya `f !, ,e/ Its real dimension,Eldrede Se
s-b,i,A• phenomenon n and",Eldred > '1`" M� ,S 11r, r1:,.°V u 'item' t57 Rrclh,"la deriErn tram a bouk be
said. - i .. r• } ,„c:',:Ai. l i •y' .3 Ralph Waldo Emerson about the
Luc beams.raw pigment.mlry dpi k-1'k" 71 I',, r 1,4 t'g a "r i way people view their world, he•
eon,videecameras and lights are a f t r�r I•' 1!.•'F Ig�rvrhi t: .,.a Y said. -
,` .✓,',¢t Y-- r • ,.,,, Y , „r4 '•The eye is the first circle: the
ant of the tools Eldred uses to ,r r r•., t... tt ftv`Y k L J« - b . • t'v5i, "•fti> horizon that it form is the second,
•• .
NM!not images that the mind does r'„ J ; r :48 I Js r ?1,::',1 .. ' Eldred said,quoting Emerson. ,
recognize.
r M work is always
For example,a red beam of light Eldred pours pigment around a neon tube in an exhibit in the former people perceive Images d how
• flashing around a darkened room of Knight's Sporting Goods Store,next door to the art center, they think they are within their
the art center appears to be a line of minds,”Eldred said.
matter speeding through space. of senses." the outside of the center, in the As a college student,Eldred,55,
"But the line Is only light," An optical illusion in a light trap front window the vacant Knight's studied engineering and archi-
Eldred said."It isn't really a line.. Is another example of his work. Sporting Goods Store,next door to tecture at the University of Mich-
It exists only in the most ephemeral The exhibit must be viewed from the center. igan.
•
- w .
•
•
•
A larger art center
•
The Salina Art Center has em- well as exhibits.
barked on an ambitious — and won- The new space will allow the center
derful—plan for the future:Now it's to offer more classes and workshops.
time for the community to show its Saralynn Hardy, director of the
support. center,says most of the money for the •
The center plans to purchase an purchase is committed, but addi-
additional building just to the north of tional support is always welcome and
t its existing building at 242 S. Santa will help ensure that the expansion
Fe2 The new space was, like the can take place. •
current building, part of a sporting The center is supported mainly by
goods store that closed. private donations and memberships,
:, The center was encouraged by a although city tax funds do pay for
C 'group of donors to try to purchase the utilities and provide a part-time cus-
'building to gain additional space. todian.
It's a great idea. The Salina Art Admission to the exhibits is always.
Center is a relative newcomer in free. Special events and classes usu-
. Salina. It's been around for about 10 ally charge only minimal entrance,
years and has been in its own home fees.
for much less time. In spite of its The Salina Art Center markedly
n youth,the center has already come to enhances the cultural climate in
Sill an important role in the commu- Salina as well as helping to bolster
nity. downtown's future. It deserves Sali-
Increasingly that role includes art nans' financial and moral support in
education for children and adults, as this forward-looking project.
•
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rif: Tribler4sVo'itu'"ser's'77,11m""iiiiit...middia for poetry readirig,•-:,4 •
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ti? iPt#';‘:^ t3'ilf if1B14;DA°4VID'I CLO." 118-TON.4.1.1.a 1'4'ttli::Iid k „each jewel,"he said. ., ,J,i:'ta )1 . I: 2.....,Adtritit. i. lw"
IIa. #1. - jr'- L fa.. j.VLSialf Writer..t n 1,1 :ti ,i4.,,,-' la•1 I;The principle is alcirk;Lombardo said,to thescience ou i. - :_co .-. ,,..... its, 4,4;
. ..0t1P,tb;music is tp.emiligut-language of the IF)'1;er;e,:eiolipoRyy 11.. Of„atomic,physics,„in which particles are sjialied,a. : .. w , ., : ,L..1,.ro,:i
li 4.: ;between atoms. •-,-xi 1 J., : •• 11'4.1:1:#--1 ''' . ''' ''''ic
I.• IA,is the iigKtlicitP40t94secills_hi.Pitkic.air:4'14$14• bit-'1" [iH,1 It's also symbolic of the marriage of poetry,art andl.i.: .i j
I. #4.;;;Which is one reasonwhy;•Stanley.Lombardoc-c closet ,,
,,-astronomer and chairman of theClassici,department 7,:ic.ill'Cusic;which he espouses ' •1 (..:(4,:6: 1-: ! .,(:„:,; s I- • . .,.4„, , ;,,,,,/
"That's what we're trying to do,is bring the Muses . Pi . • ,. „.. ., .
[I 1,1# ‘„kat theeUru'Versity4' of•KansaS,,,was,excited, about the set 4
' for his poetry readingThursday mght Ai ,,zir, ..•,f „ , •together,s"whe said with a • e.,,•.,x, .4”. , i .'12;•[--, 1:•t% 4' _ -... .... ._ :-
,,,Trituti"Iloveit,th,O'said•titht.4.;.-!.NIShikit 74 .al i vas'.". N. ,,„ .,-Today and Saturday Lombardo will further explore . 1
' 41 ' Lombard spoke frorrithe main gallery.of the Selma Nit the themesof darkness and light during'a discussion • ...)
.1*Art Center,•z42 S:Santa Fe;i3v ere a .
.' :# An-- °": h ' creation by artist sq.and lecture at the art center.The talks are part of the#7
i 't:Dale .Eldred -'"•.Laser-Tumbleweeds-Mirrors" - "Seasons and Symbols:Start",program at the center., .
I' ' , Lombardo's lecture will center on readings from ..
! {.t.7.'asThiiistae:artwile:r.ki,feltair-.es; ,a1,pin' liointof,.itThrl laser light ti, "The Rainbow'Book," a:collection of essays and
:rotating aionnethe''darkened-ro.oni 'light is''1 illustrations deVoted to rainbows in particular,and 5,. ;
interrupted periodically by...hungingtumbleweeds, spectral sequences in general,published in 1979.
planes . '' : Lombardo was asked to perform at the art center
; ,::laFfloesr Lombardo,who c.hanted iar.i.d.i:e;d fragments of:; 'director Saralyn Reece Hardy, who knew him from.
the Greek poet Parmenides,the setting was perfect. #c • her days as program,coordinator for the Spencer
Lombardo belongs to the society of Indra's Net,the ,-.. .,Museum of Art at KU.
r I- 'image in the Hua'Yen Santis - a Buddhist .,Two,months from noW;Lonibardo plans a similar... ..,
-. 1447. echanent7:1Thirmelma' ge'of-Indi#a's Net[Consists of..a'net- 'work, set to music, reading from the Medea by the' i
.„.-composed Of jewelkai-eichin' •tersec,ting.strand. The , poet,Euripides., The program is planned for. the-,..i •
'
jewels,Lombardo said,each have an infinite number:, Spencer Museum • • ' , , . • 7,
joefwfaecets that reflect themselves and the reflections of i ' "We get good audiences, audiences," he., ,-...,
.44:all the other jewels. -..
, pi.1ilii1JJ::•,‘• :::' , 1 •. ';'.. said "I think that's because it is multi-media. With
"Light is being exchanged totally;interpenetr. ,,a,ting.. r',,,i just a poetry reading You get a smaller group. ', . .. ,:.
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f '-•.. b t.'4,# . ..,.. 'Its..'1,. , on.-'',J ;.,,,.$4!.., '' ..IC4 ill . Whenthe NationalEndowtnent 004,,, ic.eit.4,.. „t ,4,,,i, • availki• to,41 ,c,,,,;.:,,t
• •
1 the tate sought the Perfect.stilt ,it?Ail, .friitervv.?,40.iit-,if,..,*Iv-0,
n•- 44 .•V' ilk"
.1 ••arts curriculum.: it could 1.1?-334: ••e 1: .4,4R,12„;_.!ie....,ts.k.,:- ,, ..,- '„..14.1 -Nt-i rt.,--4.--
-•- •tig.',f,'7 kek. •;;?' •z.r 1•J ;el rimi7 -7".i..,:''..- ',0';',- -.(0,11'.viv; 1.," 4.ta,Pil,0=7,14:/t,r,.''' I
found I 4 c 4.tor 4 it...S4,-1•;0---, . " 1st -f-tt. * A,- e,..,....t...„
imtead.the federal agencY--- 4:. kV.' etc. *..#".,•.'-'7 icf.„*r!V'Wfk,r''' A S
-4 ••"a mm3ber of deficiencies"in ads .. res>44 .:43...13,,f7Z4'.2; 4-.33pci.,. ..tr ,.. , ,.,,,4 4,1.e.\.••
• education:said Warren N„eumatili;.• .k ...,."333,3. _,4., ...;?...",4•1, kict,i,ql.rfkit, .?.?.ii.c ilit."..„*„..,,, - , 1
..! . directorof,t1*enthminne,11'23. 3 rk i1"lele•,,, ,C,0,742 ,,,t;c..,,,c.,"Itit..,"( );(.., 44.t,..4-Nre., 1 .
1
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.I •educaTi tittertirrtantteech;)s l(Ser'IS1(and) a 4 ■:4;15•.:". -,;-..torr4t,iil ,:: ..-43:- p:taitIti,,,,44,;$
. e isn't spent on the. ' .... Isw ".' ;a ....! • *lc Ois.'"•.:; '3114,W.343711:',. uW/31:0 • '
'.1 isn't that time
nNewmail tem a grouP of arts 44., 14,7a1.47 3-3?„CH.41- ,1".$`4,i,..<442„?..2<r ;;-44.t4<"4,.3;<-44,..11ti...„,n• ,,,..<3;
. 1
' • and eduestial officials ThursdaY at go ,,,,,,,,;.„1„.;,..:1: ,:t ,,,,..i6,,s14,:.:Akiest,
I. ..,.the.,sureSallniaf theArtume°Briteris spen.:Stitt weWell:reifl{ 14, ,,,, , ,,,!:T.,., ,..r,. ,P.,,; t4,1tcri.r414. a. ;;:li:: : trat,..,.,,..,
;.. • . .,4'.1
: • -the teachers are welltrained.O„„...,:i,/ r.....-- 1 , ..-4p, ., 44,,c,,,,i. ,,,,, .,..,. re,,,.....:_:\ .: ._ .
Newman-spoke at the Arts are 3,• .1. <4 ,, 4 ,..t., .54,,bv#1, Az ., .04:,ti,,i,,..,.......LI.t ir....,,,,_.__
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1. Basic Planning;°inference agen-4. 4il. 4:.::' .. WI°34:'34: . bf,rik'ffi, ,..% :11,, u : 11.4 . ' •A A ; 1)..r,„;
by the Kansas Arts Commie:, „....:.,dit 1±,-,..7„.,/ , ,.T., a4.7r.rktilf.-q,,I. , ,is.4;4:„.;•( . ,,Frfr .t! it,ti. A' It- a- f
;• , stow to iddress the Pmblems ' ,1, i Ihelf.I.&• ,144, i .11,,-•• 4-.0•"'?'"-ri - y • • ,, t 1.i.
:nninted out intik!endOWTOP-11f falldql :, .,.;,it xi, Is:41 s r, , ..t it,fig,03.4,...i. ,,,.4.0.4
;elated last sPring-Ili° linProsvifie3 i .,* -43 sp-idi,m-%,,,-e,‘ ),-,, 7%4,3 e 4 • L. 04i
;..... ,..,arts education Intansasauts qv., 3. ".,jni • •4• . s 112,731Ai.cif:41,,H-t,.-,,;t:„, .!I..,irrttry4-,,,
.. i \;71;
•, dais are WW1%a legislative Pm- • f)41,1 .. ':-..e ;WITtikt, t.,4.:rt.t?.',Itt ".? `• ,-
,. .. pzethottsyearthatwoummarylate . :-.til,,:c.t ,, „.,w.t.%....„.1. -sy.,.., ,c ,,e3NIty- ik
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artaandscience educe . .... .:„.. , ,i4 .„,,,. .R ...t .f....,., ,,..,. 0,,,,,....,.....,.„ \: •00,,,
,,'cans is one of 21 states=5.3, wwsS.., 4-14:4.3, 2, ix< .4.,ii<0,14,4friv."4„i4.31...4454,..ttO,.
doesnot mandate artseducation., .siii kfriii A-Ae,y1 : m, . ,414.455 ,
es
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• ,4. now bops is we can integrtt°UT. 1 , 41.34.• 341,4I4f',`"il,‘Sl4:1;33::.':4A.,:r,.
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.• •• into all Public schools' said ' ,kt,tt....-Atr,t;tittitt ,, mc,,,i,:‘,,,,,,,4-i, ',....,it]....:. 4, ', .tf•-!"
Berolyn O'Brien,president of the, ,..,,ri.;3 , r,,k.,91,1-4,,/kAlat:540•5.1tite.t.:,,i,1 • .
• Kansas Arts Commission."Webb;--,1:-. ti1/41 ,4,..*fftve',.3/4.te,„..,.,4et.,...r.? *.-
Eeve the arts in educaticsi c gi, • Vgrt414.4.sl. S4:3„....s.-i:Af 34,3.3,".•," •;;UPS.,ci: 4,",::-1.. . . 4. .
•
develop the whole child. Withouti4, ,st.sU,34:14;t?..."4,:r4,322.,IM-.01;..3-313,14t;
the arts,yolistarmot have a total .;•\>31" 4„,:3.4,..4..;...,-,LAct,, i
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• education," '41.' ' ,',,,,,14 „0t. t:•43, -,V.••-1;4. •*1f:t.:14--1-, '74...''1■141;';''"...,,.••• •
•
b The mandate propose: ..ww"-• 11/44pl.:,i.....:38
win support last Year:hut"den . UsC44.4., 1 4.`'C '' ... '': '''- • ''' 'l• ' ,
confident it would be approved .f.t.livt,--.,
.. this Year.rc0'•::I•l ' •4 •• "jilt:Y.4144;1 ' 41•14
When the National Endowment 4. &Fry.,
1
, studied 1 sesooLtcurricuituns, it iq.,..,..e,/,,,, , ,
• : 1
found Itvonderful,pieces, superb i litcjik 4 ,
. .-atvarious levels," New- •4 II, 'F('‘ 4 • •
. • .
..',- •-* ' .
' cl>",i 1
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• ,
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But"we could not find a district .,
that has whet we considered to be 'ins 4-4* • S.
1.1sio..;444::: ,t•
- •en arts program that•Is.tcom- , if33.33WL3 ...3- .
TomDonn• l
he said. "We•could 3 . •:
... ' prehassive,' - -a ta ether.2.• ,. t.' '.." : 34 .'44-•-;; • ' '4' . . ••Arts in Education program f7tilulkti..:a;1;oof.tilthr.a
.1 • • net fill°all the Pieces inalgthggradel,•'34 Werrenii.Newrnan,director of the National Ar s .l• . .architecture and
ries,'-eareducation.,
Hs-I- education,"Newman said.'... . 9 . , • • . :11 •,* t
7:•'.I' •thatreallyassuredthatastudent
from high school had a Newman said."Some are
," graduating ,, - • .4 . ingly close." 1,,- •
• and to. Since the report came out,arts
' young la make personal
..• i
or old,,you
• l Some schools were close, .. 11 officials across _
- vistahooartals ustrrogry programs and Lan:, fasjuThone.
the times had theater and dance pro-.
encourage expansion, the federal .and educe on o fact•is,whether you,tare ': t
model country have worked to address• . aesthetic choices every gay"fru,rn.. ,
• agency
is offering schools ad mestra?Viarilblenisa ri-i.' '4. . -them; grams, he said. But three.efirz.
4 ' • icurricultnte`to follow ; ir 4 ..< were found lacking: design .
ne n's comeback, he said.
.clocrthlerIgtivtoeprwriodutinctgchisoicesm,ahicinge said . 1
funding.""li thers," •in art education are indicative o
f all: Design arts Pertains t°a-rs°
imderzgand that problems creative writing and mass media. ,
1-. • t wSorne are closerthan o
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• 18 f Tuesday,March 7,1989 i ' The Salina Journal
;Briefly . � ,„
• Youth'concerts,Subits scheduled 1
;/..A number of events and activities are planned in Salina during March. c -' •
,I"to celebrate Youth Arts Month and Music In Schools Month.* :, �„
` fi The River Rascals, directed by Colleen Jewell, will sing at 1 p.m:-, }}i •
: Saturday'at the Salina Art Center, 242 S. Santa Fe. The group-of n�4
""•elementary,school-aged singers is sponsored by the Salina Recreation t
Commission:The performance is free„ �,;.: ...- .* , ,y;
' ;$.large exhibition of artwork by elementary school students is on,.{ •
jdisplay through March 31 in the main walkway of the Central Mall. • -
I.Another exhibition is on display at the Board of Education offices in the<7- ..
i-'City-County Building,300W.Ash. :•:
-' The art center is sponsoring an Egg Photo Contest'for ainateur' °•• ;
photographers of all ages. Photos,which must include one dozen eggs. -+ ,
in some form,will be exhibited at the center March 2531;. +., t., r ,r
'AC:- Many;musical,programs, concerts and other activities also are-- ,, •
C planned at each elementary school during the month. y, I % •
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. 34. . Sunday,April 9,1989"°
• �•
I. :It . ,;; ; i planned ... .
I::_ ,,�,,,� Artists •lunch, workshop p
' d ty""s` -'-.ti:rtistsJ,brown bag lunch,and,a watercolor, workshop.are two.
�
t�upcoming events at the Salina Art Center,242 S.Santa Fe.
A; y. Artists (professional and amateur) in the Salina area are invited to—. •
' J el thejunch which•is set for'noon Wednesday.Participants will meet with
.;-,1•fellow artists for discussion of the 10th annual Jurored Art Exhibition in -- -
t;.,.. i ",r the center's galleries,and ideas for an artists'co-op.
` l 'I'rParticipants will bring their,own lunch,.with beverages provided.' 1 l
E I . y For tiidio nfa n M stN�r Sara Duffield mill•leadra watercolor f^;i
arks opseries," inst "onTuesdaysfrom9towi"
) ;y1�a.m beginning April 8 throughaMay 23.,Participants will study
' .4.composttion. The`fee is $40..Enrollment is required as class size is
L
I Pat{limited' •g,`4.5 !
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18'•, r.. sd
Tiii ay;April 18:1989 - .
Reviews,I votmg part;
of:,�urorede' artzshow -
;ua t
Students and adults are invited to'' criticism;and the exploration of 7n-,•
' " 'air their views of actin the Salina Art a dividual pieces in the exhibition.
'' Center's'10th Annual Jurored Art h Panelists',will be members of the
•Exhibition•no'w•'onr:display at the• center's;1exhibits committee.',The
.•;g,; -•V' publicdiscussionisfree. jj• '• ''
• center,242S.SaiitaFe. � .1;:
Community members canpartici- Students can"Be'an'Alt Critic for,.
pate in,+a`"Review This Show,:Con= ' a Day'„at the center April'29.Fourth,
' • ''....test,"a panel discussion for adults,a.c through sixth graders are to•meek/
' Saturday Afternoon at the Art Center from 1-2 p.m.,with junior and senior)
r - workshop for children,`land_a "Pee' high.high,students to meet from 2-3:30 •
i •file's Choice" ballotbox.S su::o-„I >r;z p.m,:,-.: . 3, .. • •; .., 'K
Priieawill be awarded for the best-. Both groups are to tour the exhibi-!
• .written review imeach of three cate 'tion,-,vote for their,favorite,work if),/
( : goriest fourth through-sixth grades/1 art, •and have their photographs
• C. junior and sentorhigh,and adults ,l.,! taken next to their favorite piece.,;
The"reycews:wlll be judged by Jane a' participants will take home a fill-in
Eby,Kansas editor for the;"New Art i the-blank critique<and_the photo-•
Examiner," a national'art`journal:A' graph of`themselves..Sandy,Wede1U
i , The winning reyiews..will be,consid-rii and, Jane.;Struble,.,will lead the.
�-' ered `for}publication in'the .Salina z workshop:Enrollment is limited and t
i. . Journal.1"re' tP sir'.;„- '.,..f.i�i registration is required by callingthe�l.
Reviews"'by,;adults and secondary s I center,827-1431. -
4;. . ' !:he;.,2,.'2 111+
istudents lshould: be'",typewritten::;:! ,. ) '
:;Fourth through sixth,graders may/r Visitors to the Jurored Art Exhibi-'M
..enter neatly handwritten reviews.'"'.2l-tion may vote for their favorite art-. '
• 1•Each reviewer should discuss the.._.work in a People's Choice ballot box •.
.work of at least two of the 14 artists 'at the reception desk. Votes will be
,• ,included in the'eichibition.Emphasis; -tallied and a$100 award will go to the?'
however;should be on addressing the ...artist whose work is chosen by the...
i "`exhibition as a whole. Reviews may 'most visitors: . ;
not only express an opinion about the" ' The'jurored show and`other ac- i
artwork;' explain the reasons for..,. tivities are sponsored&part by Ho-
- a particular response. 1 ; '.'•' Sons, a program at the Salina'Arts"'
j-Deadline for,entries is May 12. An:,; and Humanities Commission.
informational flyer about the contest';. ;'- a•
' is available at the art center and the "i The Salina Art Center is open I
.SalinaPubliclibrary. _;' . _, • :":Tuesday through Saturday from{'
a A panel discussion at 5 p.m.May 5.....noon to :5.i p.m. (until 7 p.m:. It
is to focus ion viewer perceptions; , Thursday)and 1-5 p.m.Sunday. ; 4.r,5
40
22 r'""Thursday,May 4;1989
Panel discussion.set
at Salina Art Center
r—A•public panel discussion, "Art,-
Criticism, and the Community," is
set for 5 p.m.Friday at the Salina Art
Center, 242 S. Santa Fe. It will ex-
plore aspects of art criticism and the
10th annual Jlirored Art Exhibition.h'3`
. The public can contribute opinions
about the pieces in the exhibition and
about the center's exhibitions as a
whole. Panelists will be members of
the:center's Exhibits Committee:
• ,Jean Reitz, Paula Fried, Terry Ev-
ans, Jerry Exline, Don Weddle and
Saralyn Reece Hardy. .,
The 1 discussion is free, and will f
conclude at 6:30 p.m. . •
YIt swill touch on issues of viewer
perceptions, the role of criticism in
;_art,and the exploration of individual i
• pieces in the exhibition;which will be
on view through May 28.Participants..
will also be invited to enter the"Re-
view This Show" contest and have
their reviews judged by Jane Eby,
'Kansas editor of the national art
journal,"New Art Examiner."
w, The panel,,exhibition and related
activities are supported in part by a
1;grant from Horizons, a program of
the Salina Arts and Humanities
Commission.
i
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it t rti
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, city MARISADANIE1S ,.
i to, , \----staffwritee4 .-., "a 4'5''',..ck•"1".c -'34"14„,,L1.1 ,
4,...Asayoung child,iPalcistani artist 71.:,.....,...?..:.•,
°Jinimyi Erigino:Would Often sit On a' YI.4.4iiit•• . 2 ..-
°lor1 g4Sheetof'paper'anti finger-paint,• I,-;,,:- 'IP.?..-taieY.-(`
Itiansaimini,thefiiimies of his'5=1 Z.P,';': : ); 07001% igia• --. !
4 1 .4.:' #.. `• 15trr CM
5tyear:old imagination into:a creation.; 1,It,',,
P'' A4 , .:, t1:
tofshspesandhues: ii( :! .-: ,i-fo • , „ , 440:.0 ti.tiv‘a5f,i 1,;.1','■';f'; . .
riea%dabbled*inwatet-colors. and,
crayon mixed with water, ' 4 e
v he said.;That's where I learned a lot,, ':,t.ir•,,?! 1;02 - 4:447" ' - .. 1
a of.myscreativiti —:how.to imagine i 'Is.:40.,, - . ' :it - z I
Ina,see figuiesTiind-cOlors on an . frit..05 ' ... -
ioeiiipty space.' e
;f i
, 'Like other cluldren Ms age, he. is 1
,,-
‘
painted for fun, as an outlet for his ,r1t.A,„.c ,ic , . ,e, .4%..' • '
creativity;he said:11 t'l v-••:-: ' . 1-(4- ..110: • 1 4 'V,3 , • .
1 t.)'-i-"I just did it with'rhatre'biterest,"1, '.'rt .„.. ‘‘,I,t.te. ,.. ,,i • f,-;/.4 • •
• ilEngineer said:.: E41.( 1,12 ,',"! -,t....'';t' i'a ..1''14-•ri,1/24: 491!'kt ?: . .
lOiilTodayrcEngineer, 31;4is an award-.; r ' t 'I'd .' . .•a '
winning artist and said to be one of r2i 1.,,..i ..1 t, iv • ..',,..,r - . .,imin°cgs!? •
.the most .highly acclaimed con- Jimmy Engineer will discuss his
• —temporary artists in Paidstam-—'—Work at*noon today. - . . .. ...! :
• . He arrived in Salina Tuesday for a ' .... ,.,. ..”.
• two-day visit.He is to lead a discuss- cal and philosophical paintings'•as
;_ion about.his.work I during a brown. well as self-portraits.
bag luncheon at noon today at the He considers his.historical.and
,t
.i'Salina Art Center; 242 S. Santa Fe.d,:philosophical painting.his most ini-
J:The luncherai is free'anclopen to the ,portant work. i , , . •,
. ..
, 'fiirablic.'1,!--41; fli:i•41‘t;!...t*".\-' -1:: • •••••;',,"In 1973, he began'work on'four
td ll'Engirider''is1visiting'Salina as a',murals that depict the horror of the
74.parllcipant t in'the.International-Vi-""-Indo-Paldstan'partition'in 1947.!Al-:
wrsitor Program;.Which is sponsored by though he did not witness the event's,;
0;the Uniteil°States!,'Information') he visualized it all from what he had
. . .
1:4Agenteg:"r:`-'1'•'4 :42-,.''.. -'" ' .' heard and read.• ' • . .
"During tlie75:thar taiii;he will visit He said he viented to paint it to help
9±:museums;galleries and other tourist preserve the horror of-the event. . •'. a '
"sites'in-several:metropolitan cities'y.) He also has painted a mural based • 4
; throughout the United States. ';'on a book of Persian verse,the David
4 Aside ii•from''the 'finger-painting ,I,Name, written by philosopher-poet
l.'
"fclabbleiof his early'years,Engineer. • Sir Muhammed Iqbal. . . .,:: •
't 1 had no formal training as an artist. . The book is about two poets who
;I'M 12,he decided to make pahlting Iris travel .the. universe.,During' their
life;w20,,r,..risql.:.494tit,?. r-'`'Jr'I:celestial sojourn,the poets meets the
Fj fsHe'rsiii(ilea iiiiieflP,:it 12akistail'i I'spirits of many.historical and.reli-
If,HationalyCollege for.]the J'Arts but Tigious figures, philosophers.'arid
,51,7 never finished;heiald:tz l• ,. , mystics.. • ::
• . il'la "I imainly wanted to use their fa:rc' The'15-foot-bY-10-foot mural fel- .'
Llgellities. "-:'their studios and equip-l' lows the course of the book In stages,
..
finentThiliaid. "At that time,I didn't ' transforming the poetry'into paint-
3."-lime Eibtudio oieven an easel." • '' ing.It was begun in 1980,and he spent •
,
I. He-paints a variety of themes,and:,..more than a year completing it.The 1,
ihaindone •atill-life paintings; Port- 'mural has been exhibited in many
1 riaitiTh landscapes";religious, histori- "countries abroad.'"' '0' - •.
1:0.1.P.M ::,..A.:, 1, at••i •• A A 1 • l• - .•;I' • A
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