04-25-1991 Packet
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SALINA ARTS AND HUMANITIES FOUNDATION
MEETING:
APRIL 25, 1991
TIME:
3:30 P.M.
AGENDA:
1. Minutes
2. Financial Statement - Salina Arts and Humanities Commission
Horizons
Smoky Hill River Festival
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SALINA ARTS AND HUMANITIES FOUNDATION MARCH 21, 1991
The meeting was held in the Commission Room of the Smoky Hill Museum. Members present
were Dan Diederich, Nancy Hodges, Betsy Poer, Ned Rose, Joe Warner, Jane Weathers and Paula
Wright. Officers present were Martha Rhea and Lana Jordan. Staff members present were
Connie Harper, Marlene Stine and Karla Prickett.
Minutes of the February 21 meeting were approve9 as written.
Financial Report: Wright moved and Graham seconded the report be approved as written.
Motion passed.
Copies of bid recommendations for office computers were distributed to Commissioners. Rhea
discuSSl3d with Commissioners the decision to proceed with purchasing three computers as
money is available, but there will be a 4 to 6 week wait after ordering. Hodges moved to
purchase 3 computer at $1,500 each and Rose seconded. Motion carried.
The April meeting of the Salina Arts and Humanities Foundation will be held at the Bluestem
Gallery, 636 E. Iron, 3:30 p.m.
With no further business the meeting adjourned.
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SALINA ARTS & HUMANITIES COM:.'1.
SALI~A ARTS & HUMANITIES FOUNDATIO~
INCOME AND EXPENSE STATEMENT AS OF 3/91
INCOME
TICKET SALES
P. TRAXLER BOOK SALES
USD 305
RAC-COMMUNITY DEVELOPMENT
KAC-PROGRAMS
MID AMERICA ARTS ALLIANCE- A/S
SALINA PUBLIC LIBRARY
CULTURAL AWARENESS CAMPAIGN
S W BELL-90/91 ARTS ARE BASIC
S\~ BELL-91/92 ARTS ARE BASIC
INTEREST INCOME
MUSEUl1
MISC. INCOME (INCL. SHR PRESS)
CORPOR\TE CONTRIBUTIONS
INDIVIDUAL CONTRIBUTIONS
CITY OF SALINA
CITY (SALARIES - SA&HC)
CITY (SALARIES - SHRF)
CITY (OTHER)
DESIGNATED FUNDS
LOVEWELL INSTITUTE
TKT SALES AETIST SERIES 91/92
REGISTRATION - L. BISHOP
TKT SALES-ARTIST SERIES 90/91
IND CONTRIB-ARTIST SER. 90/91
INCOME TOTALS
EXPENSES
SALARIES - SA&HC
DIRECTOR
ARTS PROGfu~ COORDINATOR/EDUC.
ARTS PROJECT COORDINATOR
CLERK, PRINCIPAL
SALARIES - SlLl{F
OFFICE SUPPLIES
CAPITAL/~ffiINTENANCE
TELEPHONE
MEMBERSHIP
POSTAGE
LITERATURE'
TRAVEL
IN-TOWN MILEAGE
OUTSIDE PROF SERVICES - OTHER
GR\NTS PROGRi\H
MISCELLANEOUS EXPENSE
PROJECTS
NEWSLETTER/ARTS BLITZ
ART A LA CARTE
PERFORL'1ING ARTS
COMMUNITY RESOu~CES
A I E ARTS ARE BASIC 1991/1992
LOVEWELL INST.-CREATIVE ARTS
WICHITA CHILDREN'S THEATRE
THE ARTIST SERIES 1991-1992 1
POETRY SERIES
MUSEUM
SERVICES/PROJECT SUPPORT
DANCE/PERFORMING ARTS
ARTIST IN EDUCATION- 1991
CULTURAL AWARENESS CMIPAIGN
L. BISHOP - CREATIVE WRITING
ARTS IN BASIC ED.-C.FINEBERG
THE ARTIST SERIES '90-'91
EXPENSE TOTALS
ANNUAL BUDGET
YEAR-TO-DATE
I
THIS MONTH
660.00
12,000.00
14.000.00
16,000.00
4,600.00
'2,000.00
1. 000 , 00
1. 500 . 00
1. 200 . 00
10.00
12,000.00
12.589.00
8,100.00
3,640.00
700.00
2,257.00
2.300.00
372.23
276.41
133.61
276.41
100.00
109,880.00
5,000.00
28,900.00
9,000.00
1, 000 . 00
19,000.00
1. 068.51
500.00
1.350.00
462.20
464.00
,
--------------- --------------- ---------------
219,540.001
48,968.35
3,831.02
109.880,00
5,000.00
4.000.00 I
2,500.00'
4,000.00
1,000.00
1. 750.00
400.00
1.300.00
700.00
3,220.00
15.000.00
500.00
745'.49
4,020.00
1,516.26
95.00
663.29
39.95
315.66
83.71
515.81
190.25
315.66
2.960.86
2,886.67
2,650.00 1,161.54
1,500.00
2.000.00
3,000.00 1,387.86 930.00
12,200.00
1. 000 . 00 136.43 82.72
2,660.00
,17,500,00
4.000.00 .182.69 121. 31-
2,300.00 1. 486 . 88 1,078.08
1.330.00 2,006.55 307.25
1. 100.00
2,000.00
1,000.00
1,350.00 500.00
13 , 050.00 3,109.94 2,584.94
3,000.00 3 ,065. 77 3,008.75
--------------- --------------- ......--------------
219,540.00 24,244.17 12,362.53
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SALINA ARTS & HUMANITIES COMM.
SALINA ARTS & HUMANITIES FOUNDATION
BALANCE SHEET AS OF 3/91
ASSETS
CASH IN BANK
PETTY CASH
SAVINGS ACCOUNT-FNB&T 466261
CD #0189 FIRST BANK
27.309.41
50.00
2.929.11
500.00
TOTAL ASSETS
30.788.52
BALANCE ACCOUNTS
BEGINNING FUND BALANCE
TRANSFERS
NET GAIN/LOSS
6.064.34
.00
24.724.18
30.788.52
TOTAL LIABILITIES & NET WORTH
30.788.52
SALARIES-SAHC
YEAR-TO-DATE
27.889.08
THIS MONTH
9.725.39
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HORIZONS
SALINA ARTS & Hl~~NITIES FOUNDATION r
INCOME AND EXPENSE STATEMENT AS OF 3/91
INCOME ANNUAL BUDGET YEAR-Tal-DATE BUDGET BALANCE
TICKET SALES
USD 305
MUSEUM STORE ROOM
RESERVE F.UNDS - GRANTS 35,040.00 35,040.00
INTEREST INCOME 147.62 147.62-
MISCELLANEOUS INCOME
CORPO~~TE SUPPORT 1989/90/91 4,400.00 4,400.00
FOUNDATION SUPPORT 550.00 550.00
INDIVIDUAL CONTRIBUTIONS 18,150.00 550.00 17,600.00
CITY OF SALINA 15,000.00 15,000.00
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INCOME TOTALS 73,140.00 697.62 72,442.38
EXPENSES
OFFICE SUPPLIES 1. 000.00 39.82 960.18
TELEPHONE 200.00 51.19 148.81
POSTAGE 800.00 270.35 529.65
TRAVEL 500.00 500.00
PRINTING 1,000.00 875.00 125.00
OPS 1,000.00 1, 000 . 00
EVALUATOR EXPENSE 3,000.00 1,216.39 1,783.61
GRANTS/1991 30,000.00 30,000.00
GRANTS/1990 19,640.00 12,017.00 7,623.00
UNRESTRICTED FUND EXPENDITURE 953.75 953.75-
INTEREST EXPENSE
MISCELLANEOUS EXPENSE 85.78 85.78-
HORIZONS 50 RESIDENCY - 1991 5,000.00 5,000.00
HORIZONS 50 FUNDRAISING GATHER 1,000.00 10.73 1,010.73
HORIZONS 50 RESIDENCY - 1990 10,000.00 6,517.75 3,482.25
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EXPENSE TOTALS 73,140.00 22,016.30 51,123.70
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HORIZONS
SALINA ARTS & HUMANITIES FOUNDATION
BALANCE SHEET AS OF 3/91
ASSETS
CASH IN BANK
CD #27418 BANK IV
SAVINGS ACCOUNT - 24 1440
CD #87279 FIRST NAT'L BANK & T
CD #15967 BANK IV
CD 4F23894 SECURITY SAVINGS
CD #20281 BANK IV
CD #67794 PEOPLE'S HERITAGE
4,484.43
21,648.64
6,136.35
51, 468 .14
11,006.45
16,005.57
11, 006.45
.00
TOTAL ASSETS
121, 756.03
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LIABILITIES
ACCTS PAYABLE ENCUMBRANCES
.00
TOTAL LIABILITIES
.00
BALANCE ACCOUNTS
TRANSFERS
RESTRICTED FUNDS
UNRESTRICTED FUNDS
NET GAIN/LOSS
.00
97,05.7.55
46,017.16
21,318.68-
12r. 756.03
TOTAL LIABILITIES &: NET WQRTH
121,756.03
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SMOKY HILL RIVER FESTIVAL
SALINA ARTS & HUNANITIES FOUNDATION
INCOME AND EXPENSE STATEMENT AS OF 3/91
'INCOHE
BUTTON SALES - PREFESTIVAL
BUTTON SALES - EMPLOYEE
BUTTON SALES - GATE
BUTTON SALES - BICENTER
LIQUOR TAX-COUNTY INCOME
KANSAS ARTS Cm-lMISSION
MID-AMERICA ARTS ALLIANCE
INTEREST INCOME
INVESTMENT CONTRIBUTIO~
FOUR RIVERS MARKET FEES
JURY FEES
ARTIST FEES
GAl1E FEES
FOOD FEES
CRAFT DEMONSTRATION FEES
ELECTRICAL FEES
T-SHIRT SALES
MISCELLANEOUS INCOME
REHIBURSEMENTS
SOFT DRINKS BOOTH
BUSINESS DONATIONS
SPONSORSHIP
SUPER SUPPORTERS
INDIVIDUAL CONTRIBUTIONS
PROFESSIONAL FUND. Cfu~PAIGN
CAPITAL IMPROVEMENTS Fl~D
INCOME TOTALS
EXPENSES
OFFICE SUPPLIES
TELEPHONE
POSTAGE
TRAVEL
PERSONNEL/CREW
CONTINGENCY
INSUR.I\NCE
BMI/ASCAP
~~RKETING AND PROMOTION
POSTER PRINT
ARTIST GATHERING
T-SHIRTS
VISORS
VOLUNTEER BREAKFAST
SUPER SUPPORTER GATHERING
SOFT DRINKS BOOTH
PERSONNEL-TECHNICAL
CONSTRUCTION
ELECTRICAL
TECHNICAL
STAGING-BICENTER
STAGING-GAZEBO
STAGING-CHILDREN'S & STAGE II
DECORATIONS
OUTSIDE PROFESSIONAL SERVICES
ART PARTICIPATION
CRAFT!DEMONSTRATIONS
FOUR RIVERS MARKET
PUBLIC ART/MERIT AWARDS
ENTERTAINHEt\T
ARTIST IN ACTION
GAMES
SALES TAX
MISCELLANEOUS EXPENSE
HOSPITALITY
CAPITAL IMPROVEMENTS FUND
EXPENSE TOIl\LS
ANNUAL BUDGET
48,000.00
6.000.00
28.000.00
7,.500.00
10,OOO,QO.
9.000.00
3.400.00
7,500.00
500.00
11.000.00
1. 000 . 00
17.000.00
1.300.00
1. 400 . 00
8.000.00
1, 000 . 00
30.000.00
10,000.00
5.000.00
12,000.00
I
217,600.00
2.250.00
.2,000,00
2.700.00
2.000.00
17.000.00
1. 000 . 00
200.00
300.00
37.000.00
1.500.00
400.00
400.00
1. 000 . 00
500.00
5,000.00
1. 000 . 00
4,500.00
5.000.00
6,000.001
2.000.00
2,500.00
4,500.00
4,000.00
300.00
250.00
5,000.00
75,000.00
15,000.00
5,000.00,
1. 500.00'
800.00
12.000.00
217.600.00
YEAR-TO-DATE
;
6.5261.38
224.61
4.700.00
237.00
300.00
280.00
1.050.00
550.00
82.50
750.00
6,500.00
375.00
3,250.00
12,000.00
I
36,825.49
1, 658.44
383.43
1.336.74
17.34
925.00
8,394.95
1. 758.00
100.00
244.95
915.00
150.00
2,220.00
2,543.34
6~. 70
186.35
14,287.50
996.00
I
315.76
36.497.50
BUDGET BALANCE
48.000.00
6,000.00
28.000.00
7,500.00
3,473.62
8,775.39
3.400.00
2.800.00
263.00
10.700.00
720.00
15,950.00
1. 300.00
850.00
82.50-
7,250.00
1. 000 . 00
23.500.00
9,625.00
1,750.00
180,774.51
591.56
1,616.57
1. 363.26
1. 982.66
17,000.00
75.00
200.00
300.00
28.605.05
258.00-
400.00
100.00-
400.00
755.05
500.00
4.085.00
1. 000.00
4,350.00
5,000.00
6.000.00
2.000.00
2.500.00
2.280.00
1.456.66
300.00
185.30
'4;813.65
60.712.50
14,004.00
5,000.00
1. 184.24
800.00
12,000.00
181,102.50
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SMOKY HILL RIVER FESTIVAL
SALINA ARTS & Hl~NITIES FOUNDATION
BALANCE SHEET AS OF 3/91
ASSETS
CASH IN BANK
PETTY CASH
SAVINGS ACCOUNT 4r146994 FB&T
CNfr 50129 NBA
CD~fr 62298 NBA
CD 4fr118157. 0 SECURITY SAVINGS
CD ~ft73706 FIRST NATIONAL BANK
CD ~fr115153. 0 SECURITY SAVINGS
CD iFl09701.0 SECURITY SAVINGS
CD ~fr118488. 0 SECURITY SAVINGS
15,966.51
25.00
If35.56
42.770.71
7.000.00
135.15-
18,248.71
11,527.51
17,376.29
22.989.23
TOTAL ASSETS
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136,204.37
LIABILITIES
ACCTS PAYABLE ENCl~BRANCES
.00
TOTAL LIABILITIES
.00
BALANCE ACCOUNTS
INVESTMENTS- RESTRICTED FUND
CARRY OVER
TRANSFERS
NET GAB/LOSS
127.020.17
8,856.21
.00
327.99
I
136,204.37
TOTAL LIABILITIES & NET WORTH
136.204.37
SALINA ARTS AND HUMANITIES COMMISSION
MEETING:
APRIL 25, 1991
3:30 P.M.
TIME:
41_"';
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C'..' _. ^,,""" ',---,-
AGENDA:
1. Minutes
2. Smoky Hill River Festival
3. Horizons
a. Update
b. Grant application - Parks and Recreation: VOTE
4. Arts Education
5. Museum
a. Staff
b. Committee
6. Cultural Planning - Update
(Bring calendar in order to identi~y .
retreat time.)
7. Artist Series, 1991-92 - Update
8. Other
Please call 827-4640 if you are unable to attend this meeting.
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SALINA ARTS AND HUMANITIES COMMISSION MARCH 2t, 199'/
The meeting was held in the Commission Room of the Smoky Hill Museum. Members present
were Dan Diederich, Nancy Hodges, Betsy Poer, Ned Rose, Joe Warner, Jane Weathers and Paula
Wright. Staff present were Martha Rhea, Lana Jordan, Connie Harper, Marlene Stine, and
Karla Prickett.
Minutes: Nancy Hodges moved and Warner seconded the minutes be approved as written.
Motion carri,ed.
Community Cultural Planning: Rhea reported that Chair, Dick Todd, would be moving to
Lawrence. Clay Thompson has agreed to chair the committee. The next Policy 8t Planning
meeting will be Wednesday, March 27. Thelcommittee will begin to establish ground rules for
task forces: Cultural Organizations, Outreach and Marketing, and Fac:i1ities.
Rhea and Weathers met to discuss the recommendations from thel Wolf Report for the Arts and
Humanities Commission. A suggestion was made by Rhea that the commission plan a retreat to
discuss these recommendations. Moving from an internal organizational orientation to a
community cultural planning body is quite involved and would warrant such a meeting. Regular
commission meetings are filled with, agenda ite,ms and this special meethlg would allow more
time just for reflecting and planning for the work of the commission. Hodges moved that the
Arts and Humanities Commission schedule a retreat for cultural planning in the nea~ future and
that Rhea contact a potential facilitator. Warner seconded. No opposition. Motioln approved.
Museum: Callaway reported that Betsy Pyle was initiating a proj~ct with studetnts at South Jr.
High. The project is a simulated excavation on school grounds to take place in the latter part of
April. The architectural exhibit would involve architects from K-State and Lawrence. Donnie
Marrs and Mary Douglass will direct walking tours to study architecture in the historic block of
south Santa Fe. The museum will have a panel discussion, open to the community on re-design
projects for homes. Information for this will be available the first week of April. Saturday,
April 6, the quilt exhibit closes. The expected attendance would be around 2000. The related
quilt program at the Community Theatre drew 101 in attendance. Rose reported that Sister
Evangeline Thomas' position was filled by Betsy Pyle. There was a Long Range Planning
Committee workshop held at Lakewood and task forces are being created in order to begin in
April.
Smoky Hill River Festival: Jordan reported that the professional and super suporter
campaigns were underway. The individual campaign would be going out within the next week.
Jane Struble designed the festival logo and the new buttoris are here. Charles Sanderson is the
artist for this year's festival print. Each commissioner receives a signed copy of the print and
an explanation of the print. This year's headline entertainment will include the Gones Sisters,
Regency, The Harper Brothers, JO'EL Sonier, and Jason D. Williams. Other entertainment is
basically booked. Jordan called for discussion on the matter of admission price to the headline
entertainment at the Bicentennial Center. Should there be no charge, a $~ , $3, or $5? We do
not want to raise the button prices. Attendance at these events has alwaysf averaged 2500
regardless of the charge. Do we want to create a concert atmosphere without people going in and
out casually, causing interruptions to the artists? The festival budget included a $7500
income from these entertainment events. Following discussion, Rose made a motion to charge a
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motion to charge a $2 fee for the Bicentennial Center entertainment during the 1991 River
Festival. Weathers seconded motion. Motion carried wittl a vote of 5 in favo~, 3 opposed.
Letter from Downtown Lions Club: Poer opened discussion concerning! a letter from the
Lions Club to the Commission concerning rejection of their club's food booth lat the River
Festival., Dan Diederich pointed out that their club (he is current president) has been a strong
supporter of past festivals, providing many donated hours on the gates by its members. The
club was objecting to the acceptance by the food committee of another civiC organization wanting
to provide the same type of booth. The organization that was accepted, had nqt pr:ovided the
festival with donated support as the Lions Club had. Therefore it was their opinion that past
support should not be disregarded, but should be a part of the criteria involv~~ in the selection
process. Jordan explained the selection criteria and that lit was additional ',items offered by the
selected organization that made their booth more appealing to the committee. I POler suggested
that Commission members and Jordan meet with the Lions Club to explain the decision since
prior Festival volunteerism is currently not a criteria in food booth selection~ The Commission
very much appreciates the past services provided by the Lions Club to the F~stivlaL The
Commission agreed to review the selection rrocess prior to next year's Fest~vaL
Artist Series: Salina, the Lindsborg Arts Council, and Bethany are discussing the Artist
Series. The group will meet at Bethany College, Tuesday, April 9.
Horizons: Horizons 50 has identified the recipients of this year's organizational grants. The
grant application session was herd on March 7. Comments pertaining to the applications were
relayed to the applicants. Copies of the minutes of the grant session were distributed to
Commission members. The Community Theatre will not be doing the production-of "The Grapes
of Wrath" as was stated in their grant application, but will be doing another Depression related
production instead.
Arts in Education: Rhea introduced Connie Harper to the Commission, the new Program
Director for Arts Education. Harper said how pleased she was to be back in Kansas, working at
the community level.,
Other: The April Me~ting of the Arts and Humanities Commission will be held at the Bluestem
Gallery on April 25.
Brad Anderson is coordinating a retrospective exhibit of River Festival Art from Purchase and
Merit Award winners of prior festivals. The exhibit will be in the Gallery at Kansas Wesleyan
University.
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Rose motioned to adjourn. Wright seconded. Meeting adjourned.
REQUIRES SAHC APPROVAL
Aprn 5, 1991
The fQllQwing revised versiQn of the Mission Statement was develQped by
the LQng Range Planning CQmmittee. It will be voted Qn by the Museum CQmmittee
at its April 10, 1991 meeting; thence tQ the Arts & Humanities CQmmissiQn,
fQr acceptance at its next meeting.
MissiQn Statement
"The mission of the Smoky Hill Museum is to create a dynamic,
inviting, educational museum that collects, preserves, researches,
exhibits and interprets the history and artifacts of Saline CQunty
and the regiQn. This is tQ be accQmplished through exhibitiQns,
edu~atiQnal prQgrams and public activities that engage peQple
tQ bring clarity and visiQn tQ the values and aspi~atiQns Qf the
regiQn as they are remembered, reflected, and changed."
# # #
The current mission statement adopted by the Salina Arts Commission
in 1984 and revised by the Salina Arts and Humanities Commission in
1988 reads:
"The mission will be to create a dynamic, inviting, educational
museum-that collects, preserves, researches, and interprets the
history and artifacts of Saline County and the region. This
will be done through interactive programs and activities that
bring clarity and vision to our values and aspirations as they
are remembered, reflected, and changed in the Midwestern
community culture."
Smoky Hill IVIuseum
Long-Range Plan
Final Report
1991
PREPARED BY
Mar\' Kav Ingemhron
Planning"Consultant
MK Communications
Kansas City. Missouri
SMOKY HILL iVIUSEUl\l
LONG-RANGE PLAN
EXECUTIVE SUMMARY
1. I~TRODUCTION
The ~irector and members of the governing body of the Smoky Hill Museum initiated a long-range
plannmg process in January. 1991 to determine major issues facing the Museum and to formulate a
plan ~o address those issues. A specially appointed. 12-member long-range planning committee
was tormed and included members of the Salina Arts and Humanities Commission. the Museum
Committee. Friends of the Museum. staff and volunteers (see Appendix A). Consultant. Mary
Kay Ingenthron of MK Communications in Kansas City facilitated the initial planning sessions.
The first session was held on January 18-19. the second. on February 9. Prior to the meetings.
committee members were asked to complete pre-planning worksheets designed to initiate the
plannmg process and to assist committee members to think strategicallv about the Museum (see
AppendIx B). Members were asked to define the purpose of the Museum. determine its audiences
and their needs. and identify present issues confronting Smoky Hill.
In addition. the consultant conducted phone interviews with several members of the committee and
reviewed numerous documents. including organizational by-laws. previous planning studies.
Museum Assessment reports. annual reports and the Community Cultural Plan.
During the planning sessions. committee members identified six goals that will position the
Museum for a confident and progressive future. They are:
1. Provide financial security by broadening the funding base.
2. Increase public awareness and improve the Museum's public image.
3. Increase public outreach and provide diverse public programming.
:. Establish a strong and effective Friends organization.
:). Ensure on-going, dedicated volunteer support.
6. Establish a comprehensive collections. exhibition and interpretation program.
A third session was held on March 16 to finalize the first phase of the planning process. organize
task forces, prioritize activities and establish a timetable for planning implementation. The
following report is a summary of the results of those meetings and the efforts of the pla~ning
committee. They include a statement of vision for the Museum's future, a revised mISSion
statement, six goals through which the vision can be realized, and specific strategies for effectively
achieving the Museum's mission
II. i\HSSION STATEMENT AND VISION STATEMENT
The first step in the long-range planning process was to review the Museum's genera~ purpose.
current operation and resources in relation to its present mission statement. After a brIef
discussion, the committee modified the present mission statement to renect more accurately the
Museum's philosophy.
MK COMMUNICATIONS
" - :.......~~~,:;.,-..:.=;... :__",n..~~. _ ~-~_~""""~<:;--"-C
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The mission statement. adopted by the Salina Arts Commission in 1984 and revised by the Salina
Arts and Humanities Commission in 1988, read:
"The mission will be to create a dvnamic. inviting:. educational museum that collects,
preserves. researches, and interprets the history and artifacts of Saline County and the
region. This will be done through interactive programs and activities that bring clarity
and vision to our values and aspirations as they are remembered, reflected. and changed
in the Midwestern community culture."
The revised mission statement to be presented to the Arts and Humanities Commission was
modified slightly to read:
"The mission of the Smoky Hill Museum is to create a dynamic, inviting, educational
museum that collects, preserves, researches, exhibits and interprets the history and
artifacts of Saline county and the region. This is to be accomplished through
exhibitions, educational programs and public activities that engage people to bring
clarity and vision to the values and aspirations of the region as they are remembered.
retlected. and changed."
\'lembers of the committee then discussed what thev believed to be the future direction of the
Museum and ag:reed on the following: statement. .
"The Smoky Hill Museum is-the major history museum. educational and cultural
resource in the region. offering the public exhibitions and educational programs that are
imaginative. interactive. entertaining and of the highest quality. The Museum is a fun
place for the people of Salina and the region to visit, and is an important tourist
destination. The Museum has an active and supportive audience and is cooperatively
funded by individuals and businesses alike. The Museum is accreditated by the
American Association of Museums."
III. ISSUES CONFRONTING SMOKY HILL MUSEUM
The next step in the planning process was to determine the Museum's primary audiences and to
identifv their needs. Ten categ:ories were identified: families with children. tourists. schools.
Saline 'County residents. historical groups. community groups. museum store customers. senior
citizens. volunteers and Friends. The committee determined the issues confronting the Museum
relative to meeting the needs of the audiences and identified the level of operation the Museum
should strive for in the next three years in order to better serve its publics (see Appendix C).
The following needs were identified as most pressing by the planning committee:
1. Development of a broader financial support base. with emphasis on private: funding.
2. Determination of an exhibition and collection's policy.
3. Establishment and implementation of a plan of action for capital improvements.
4. Development of an identity and projection of that identity to the public through a strong
marketing and public relations strategy.
5. Increase in volunteer support and development of a strong cadre of volunteers.
6. Development of a comprehensive. on-going educational program.
7. Definition of and direction for the Friends org:anization.
8. Determination of the type of governance to best assure the Museum's future success.
9. Advocacy for the Museum and increased community involvement.
(These and others issues were incorporated into the previously listed primary goals.)
rvIK COMMUt\ICATIONS
.).
1. FUNDRAISING AND DEVELOPMENT
Since its founding in 1983. the Museum has been funded through an interlocai agreement
between the city of Salina and Saline County. Additional financial support has come from the
Friends of the Smokv Hill Museum. the Kansas Arts Commission. the Kansas Council for the
Humanities and the institute of Museum Services. Private support for the Museum has been
limited and no strong effort has been made to develop an enlarged funding base. As a result.
the Museum has been perceived throughout the community as receiving enough operating
funds through the inter local agreement and not in need of further support.
The Friends of the Smoky Hill Museum. a non-profit organization. was organized in 1987
"to promote and support the activities carried on bv the Museum and the Museum Store,
which include providing the Museum with additional funding, volunteer services. advocacy.
public relations assistance and community involvement." To date no fundraising program has
been developed. yet the potential exists for the Friends to become successful fundraisers.
While a major fundraising program has not been investigated. prospects for fundraising in
Salina and the region appear good. Salina has a remarkable history of provIding finanCIal
support ~'o.r its cultural organizations. The planning committee recommended dev~lopmer:t of
a tundraIsmg plan and the targeting of individuals. corporations. businesses and toundatIons.
In addition, the committee recommended that the Museum seek to increase earned revenue
through memberships. attendance and Museum Store sales.
RECOMMlliNDEDSTRATEGffiS
With the development of a strong Friends organization. a comprehensive fundraising plan:
and a plan to increase earned income. the Smoky Hill Museum should have a sound bas~. tor
building financial security. The Museum should consider establishing a development otflce
with initial emphasis on corporate and foundation funding, government grantsmanship. and
sponsorship of programs. exhibitions and publications. This would help ensure a broad ba~e
of financial support. Moreover, methods to increase earned revenue, expand the number ot
memberships, and evaluate the costs and benefits of all Museum operations should be
considered as part of the long-range planning process.
2. EXHIBITIONS AND COLLECTIONS
Prior to 1985. the collection had been housed at the old Carnegie Librarv and then moved to
the bathhouse in Oakdale Park. At each location most of the artifacts were on display. When
the collection was moved to its current location (the city's former post office) and the present
museum established, many citizens did not understand why all the artifacts were not on
display as they had been previously.
A number of individuals have expressed the opinion that a permanent exhibit on the ~istory of
the region and the life of its citizens would be more appropriate than the current practice of
featuring temporary exhibits. Others approve of the current practice. suggesting that the
quality of changing exhibits and related public programming continues to bring more people
into the Museum.
\-lK COMMUNICATIONS
J.
l:\n invemory of the Museum's 30.000 artifacts is nearly finished, but the complete cataloging
of the artifacts is two to three veal'S awav. The invemorv has alreadv revealed that in several
categories items are needed to' properly round out the co'llections. and that acquisition of
artifacts is recommended. The planning committee suggested setting up a collections task
force to address collections manaQ:emem issues such as climate control. storage. catalogim!
and funding for acquisition of artifacts. - ~ ~
RECOMMENTIED STRATEGIES
The planning committee recommended the establishment of an exhibit task force to develop an
exhibition policy and to work with the professional staff to develop an exhibit agenda based
upon that policy. As part of the exhibit policy. the Museum should consider undertaking
exhibitions and related programs having broad public appeal. Also. once exhibitions are
identified. the exhibit committee should work with the fundraisinQ: committee to secure funds
for the exhibition and related programs. The committee recommended that the task force also
study the need for additional staff and/or volunteers for exhibit development and installation.
.As Dart of the overall strategies for effective collections care. several additional recommenda-
tions should be considered:-development of a plan to complete registratIon and cataloging (();
deaccesslomng) unprocessed collections: determinatIon of the conservation needs of the
collections: determination of present and future storage needs. Additionally the task force
should consider the development of a plan to document the collections and improve access for
research. Working with the fundraising committee. the collection task force should develop a
plan 10 establish a restricted fund for collections acquisition.
3. CAPITAL IMPROVEMENTS
Although the museum facility affords the staff the opportunity to house a collection of 30.000
artifacts and install changing exhibits. the building was designed to serve as a post office and
the HVAC (heating. ventilation. air conditioning) system was not built to meet the require-
ments of museum collections. Consequentlv. maintaining proper climate control for the
artifacts is difficult at best. In addition. accessibility for the handicapped was not a federal or
state reuuirement when the building was completed. Today the building needs modificatIon L'
IacilItate the needs of the cOiiection- and fu]fil( necessary handicapped access requirement::,.
The planning committee believed that capital improvements issues could be handled through
mher established task forces and did not require one for buildings. Therefore the collections
management task force will address the issue of climate control: the marketing task force. the
issue 'Of handicap accessibility. -
.... .
'IARKETING A~D PUBLIC RELATIONS
The Smoky Hill Museum has a high-quality changing exhibition program. a first-rate
collection and a good public programs agenda. While these are presently promoted through
news releases and distribution of posters and brochures. the Museum does not have a strom:
Dubiic image within the community. -
.\11-:. cm.I~IU~ICATIOI\S
).
Many committee members believed that a comprehensive marketing strategy to create a strong
and visible image within Salina and north central Kansas needs to be developed. Such a
strategy would raise local awareness of the Museum. its programs and activities, and would
increase regional attendance.
With the upcoming change in the inter local agreement and the need for increased funding and
co.llaboration with other community organizations, the committee voiced the need for the
Fnends, the Museum Committee, volunteers and staff to take a more active advocacy role for
the. Museum within the political. social and professional spheres of the city and county. These
aCUons, along with a strong marketing and public relations campaign, will heighten public
awareness and consequently increase support for the Museum.
RECOMNffiNDEDSTRATEGffiS
Since the development and implementation of a comprehensive marketing plan can take several
months to complete. the Museum should consider developing. testing and implementing short-
term methods of reaching the community and enhancing its public image. The development of
il long-term marketing plan needs to include audience research. positioning the Museum in the
community. market segmentation. selected use ot various promotional tools and a coordinated
graphic and signage program.
5. VOLUNTEERS
From its beginning, volunteers have ensured the success of the Museum's operations. They
operate the Museum Store. assist with exhibit construction, inventory, clean and catalog the
collections. act as greeters and docents. provide special technical assistance. and research
material for exhibitions and publications.
As with any growing organization, more volunteers are needed to assist the professional staff
in serving the public. And as the organization grows, the relationship between staff and
volunteers can become unclear and communications can break down. In order to support the
development of a strong volunteer organiz~ltion. the planning committee suggested the
establishment of a volunteer task force to evaluate the current volunteer program. recommend
ways to increase volunteer support. provide direction for volunteer activities. and improve the
volunteer's experience at Smoky Hill.
RECOMNffiNDEDSTRATEGffiS
Part of the process to develop a strong volunteer organization and ensure on-going support.
the task force needs to devise a way to improve volunteer recruitment. training, placement.
supervision, benefits and recognition.
6. PUBLIC OUTREACH
The planning committee felt that if Smoky Hill was to gain the public recognition and private
support it needs, the community's perception of the Museum must change. One metho~
would be to develop a coordinated outreach program to all levels of the community. WhICh .
include the development of regular educational programs with USD 305, special programs tor
hospital and senior citizen centers and enhancement of the speakers' bureau.
MK COMMUNICATIONS
--'- --'-"'":""'" -~",,-'!'" ","~'.~~-.<~'..
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6.
The absence of an educational coordinator. sig:nificant funding: and volunteer resources to
implement outreach programs was addressed.~ The planning committee recommended
exploring alternatives for acquiring an education coordinator: studying a variety of program
opportunities with teachers in usn 305 and area colleges: developing a diversified plan for
public programming for visitors. seniors and children: and seeking greater collaboration with
area cultural organizations.
RECOMNffi~TIEnSIRATEG~S
As the Community Cultural Plan points out, it will be important for the Museum to take a
leadership role in education in usn 305. Involving the Museum in community-wide
initiatives to improve the Salina schools, providing outreach programs for schools in Saline
County. and creating programs and activities for young audiences within the Museum's walls
are a few options to increase its visibility. The Museum needs to investigate additional
methods to reach adult audiences and increase their attendance.
"'!
FRIENDS
The kev to Smokv Hill Museum's 10mHerm success could easily be a strom! Friends
onranization. A voung: org:anization. the Friends have struggle to define their role within the
Museum's operaiionaCstructure and have not as yet reachedtheir full potential. However. the
committee believes that once the organization determines the part it wants to play in the
succe~s of the Museum and develops a plan to implement its goals. the Friends will make a
real dIfference in the financial and volunteer support available to the Museum.
I V. DEVELOPMENT OF THE LONG-RANGE PLAN
Presently. the planning committee has been expanded and four task forces have been formed [0
develop strategies and a plan of action for implementation. During the next few months. they will
aive careful and thoug:htful consideration to furthering: Smoky Hill Museum's role within [he
community. On the following pages are sample recommendations for fulfilling the goals and
ob.iectives established by [he planning committee during the initial phase of the long-range Dianmni;
process.
MK COMMU:-';ICATIONS
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APPENDICES
-,-,--..-,. "r-,-,.,.-. ':""":-'':''"'-'.'- ": ~
- .. ....-
.~PENDIX A.
_-\1
LONG-RANGE PLANNING COMMITTEE
Eve Bovle
Presidelu. Friends Board
Michael Catlin
Member. Friends Board
STAFF
Tom Pfannenstiel
Director
Debbie Divine
Member. Museum Committee
Lisa Callawav
Curator of Exhibits
Max Ewalt
Past President. Friends Board
Marv Douglass
Cunitor o(Collections
Karen Greene
\fember. Friends Board
Co-manager. Museum Store
Head. Volunteer ServIces
Dorothv Kennedv
Member. Friends
Member. Membership Commiltee
Martha Rhea
Executive Director. Arts & Humanities
Commission
Ned Rose
Chairman. Museum Commiltee
Arts & Humanities Commissioner
Paula Wright
AIts & Humanities CommiSSioner
MK COMMUNICATIONS
APPENDIX B.
B1
ANSWERS TO PRE-PLANNING \VORKSHEETS
\USSION STATEMENT (Worksheet 1)
~larifying and understanding the mission, purpose and goals of the Smoky Hill Museum wil! be
Important to effective strategic planning and a key factor in determining the future directIon ot the
Museum. List any questions or concerns you have about the present mission statement, and
consider whether the mission statement should be changed to retlect the future direction of the
M~~. -
1.
Potentially change "values and aspirations".
Insert the word "exhibits" to "that collects. exhibits. preserves, researches. ...
Say something besides being "inviting" about developing, broadening. maintaining our
audience."
Clarifv or delete the term" rCQ:ion" .
Last lIne somewhat ncbulous~
\fission statement is very generai and all-encompasslOg.
At odds with the idea of the museum being a place to display and interpret artiracts.
Fails to address exhibit function or the museum.
Define/c1arifv/delete "the Midwe..")tern community culture'!.
Eliminate the second sentence. it is redundant. -
Insert the word culture in the first sentence "interprets the history, culture and artifacts of
Saline County ...
No specific discussion of how outreach will occur in a meaningful way.
Include wording that suggest") a common bond between all people and their ancestors.of
Saline County and the region. (History tlows from the past. through the present and lOto the
future. )
Need to remind ourselves of the mission statement often and utilize it as our focus for the
museum. That way we can all work from the mission for the same purpose in our respective
areas of service.
")
-+.
:)
s.
9.
LO.
11.
12.
13.
1-+.
:\irK COMMUNICATIONS
1'R'" ~ ""'"
B2
CURRENT PROGRAMS AND SERVICES
Before the Committee can beQin to plan the future direction of the Museum. it must be aware of the
past and present. UnderstandIng significant events in the Museum's history. current programs and
services. audience. staffing and financial position are crucial. List the significant events in the
history of the Museum, types of programs and services the Museum offers the public: constituent
categories and demographics, (eg. school children. adult tour groups. families. legislators, etc.):
number of full-time and part-time staff and their positions: number of volunteers and the areas in
which they work.
SIGNIFICA:-.JT EVENTS
l.
'"')
W. A. Phillips started the collection.
A. M. Campbell Jr. housed the collection from 1879 to 1931.
Collection moved to the CarneilIe Librarv 1931.
Museum moved to Oakdalc Par-k 1956. .
City /Countv Interlocal alIreemem 1983.
Move to present site 1985.
OpemnQ of the museum 1986.
BeQinnrnQ of Friends orQanization 1987.
Appointment of two directors in shan period of time.
Appointment of third director 1988. .
County-wide photo project.
Opening second 1100r exhibit.
Major exhibit openings. Success of Burma Road exhibit.
Collection open for tours.
Long-range planning process.
Building maintenance issues.
.) .
1
""T.
,
().
S.
9.
10.
II.
12.
13.
1.t
15.
16.
PROGRAMS
SERVICES
-+.
Temporarv exhibits and related oroQram:-:
[\oon Coolers -- film serIes and' iccturc:~
Kansas Dav orOQrams
Exhibit openinQ speakers
Group tours - ,
School programs with exhibits
Speakers' Bureau
Childrens' tours
Childrens' workshops
Collections tours
8.
l,\ .
"'
Tours
Histor\' researcn assIstancL'
Store
MeetinQ facilities
Newsletter
Educational programs
Identify items ior public
Artifact preservation inio
Tourist information
.+.
6.
6.
8.
9.
10.
rvlK COMMUi\rCATION~
CURRENT PROGR;\MS/SERVTCES
CONSTITUENTS
1.
Individuals
Families
Children
Schools
City/County government
Older citizens
Businesses
Churches
Wesleyan
Historical Society
Genealogical Society
Librarv ~ -
: 3. Area ethnic groups
L -1-0 Friends
is. Tourists
Historv buffs
College students
Volunteers
Museum Store customers
Community Groups
..,
"
,).
-+.
5.
6.
7.
8.
9.
10.
ll.
L 2.
16.
17.
18.
19.
20.
33
STAFF
1.
Director
Exhibits Curator
Collections Curator
Registrar 1/2 time
Curatorial Aide 1/2 time
Custodian 1/2 time
Administrative Aide 1/2 time
...,
oJ.
1
"0
5.
6.
/ .
VOLUNTEERS
,
.co
Head of volunteer onematlOn services
Store manaQ:er
Store ConsIgnment coordinator
Docents (7)
Store clerks (18)
Speakers' Bureau
Greeters (28)
Researchers
Technicians
Museum Committee (9)
Friends Board (8)
...,
.) .
-L
5.
6.
7.
8.
9.
10.
11.
vlK COMMUNICATIONS
B4
STRENGTHS AND WEAKNESSES (Worksheet 3)
The Museum needs to focus on whether or not it has the resources and capabilities to achieve its
mission. A knowledge of the strengths of the Museum will help the planning committee see new
opportunities; determining the Museum's weaknesses will help the committee understand the
liabilities as plans for the future develop. List the major strengths and weaknesses of the Museum.
(The number in parenthesis represents the number of committee members who listed the specific
strength or weakness.)
STRENGTHS AND ASSETS
1.
Dedicated, knowledgeable and
professional Museum staff. (10)
Extensive collection. (8)
Good facility. (8)
Volunteer program with committed
volunteers. (7)
Location. (7)
Museum store. (4)
Good, quality exhibits. (4)
Good. quality programs. (4)
Public funding base. (4)
Cooperation with other cultural and
educational groups. (3)
Friends organization. (2)
City that values arts and culture. (2)
LIABILITIES A.ND WEAKNESSES
1. Lack of private funding. (10)
,., Poor climate control. (7)
3. Lack of a strong public image and good
public awareness. (6)
4. Weak Friends organization. (6)
~ Lack of an educational staff and relZular
educational programming. (4) ~
b. Need better volunteer organization. more
volunteers, better communication. (4)
7. Lack of planning. (3)
8. Lack of a marketing plan. (2)
9. Progress in collections iIlventory and
cataloging. (2)
10. Lack of public understanding as to why all
the artifacts are not on display. (2)
11. Relationship with city/county. (2)
12. Need better relationship between Museum
committee. Friends and Store. (2)
13. Lack of full utilization of second floor. (2)
The followinf{ weaknesses were listed once.
1 -1-. Absence of a Museum Store manager.
15. Need for additional staff. -
16. Need for exhibits and programs to reach
more people in the community.
1 7. Poor communications and relationship
with the Historical Socie:ty.
18. Need for an artifact acquisition program.
19. No clear cut information on audience
demographics.
20. Lack of focus for a permanent exhibition.
21. Infrequent change in temporary exhibits.
.,,., Limited staff skills in organizing
volunteers.
23. Inadequate collections and building
security.
..,
3.
1
.,..
o.
s.
l).
10.
11.
12.
The followinr: strenvths were listed once.
13. Use of grants.
1 -1-. Networking among: other museum
professionals. -
15. Good staff working relationship.
16. Good collections storage and maintenanc(:.
I 7. Staff open to suggestions.
18 Well-thought of in the communit\'.
19. Importance of history in the region.
20. Accessible. smaller community.
ivlK COMMUNICATIONS
85
OPPORTUNITIES AND CHALLENGES (Worksheet 4)
Identify the major external forces that int1uence or will int1uence the Museum's operation. Take
into account constituents; membership; competition; and social. cultural, political. economic and
technological factors and events that can impact the Museum's future. (The number in parenthesis
represents the number of committee members who listed the specific opportunities and challenges.)
OPPORTUNITIES
l.
Developing a broader base for communitv
financial support. (5) .
Closer ties with schools and curriculum
programs. (5)
Collaboration with area cultural
organizations. (5)
Volunteer program potential and strong
volunteer core. (3)
New sources of museum visitors. (3)
Collaboration with Flywheel Museum. (3)
Potential change in governance. (2)
Public interest in history of the region. (2)
...,
,
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h.
'7
I.
8.
The followine oQPortunities were listed once.
9. Educational outreach potential.
10. Good collection base to build on.
11. Working with Kansas history mandate.
12. Developing a strong Friends organization.
13. Better marketing.
14. Long-range planning.
15. Area tourist attractions.
16. Local organizations need for speakers.
t 7. Kids area potential.
18. Promotion of group tours.
19. Opportunity to train teens as docents.
20. Work with Chamber of Commerce and
their goal.
21. Improved access to state and local history
resources through library.
22. Older citizens moving to smaller quarters
can be a source of artifacts.
23. Small accessible community.
24. Harnessing the energy of a committed few
to enhance the whole.
CHALLENGES
1. Securing private funding. (4)
.., Public support/economic conditions. (4)
3. Working with Chamber of Commerce. (4)
4. Expanding Friends organization. (3)
5. Developing fundraising plan. (2)
11. Attracting new people to events and
programs. (2) .
7. Developing strong volunteer core. (2)
8. Developing a marketing strategy. (2)
The followinf] challenees were listed once.
9. Working successfully under new
governance.
10. Overcome building problems.
11. Leadership development.
12. Signage.
13. Carrying out strategic plan.
14. Carving a niche in the community.
15. Obtaining support from Historical
Societv.
16. More ~olunteer speakers for groups.
17. Expansion of Flywheel Museum.
18. Advertisement for Museum Store.
19. Collecting today's artifacts for
tomorrow's Museum.
20. Competition for funding with other
cultural organizations. . .
21. Under auspices of Arts & Humantues
Commission.
22. Ability to intluence politic~lle~ders. .
23. Responding to the needs of chIldren atter
school.
\fK COMMUNICATIONS
B6
CRITICAL ISSUES FACING THE MUSEUM (Worksheet 5)
Based upon vour knowled!Ze of the Museum's pro!Zrams and services: the needs of the
constituency': the competition: and the economic, social. cultural. political and technological factors
and events within the Salina community identifv 5 to 8 critical issues that face the Museum over the
next two to five years. (The number in parenthesis represents the number of commiuee members
who listed lhe specific opporlunities and challenges.)
CRITICAL ISSUES
i.
.,
Development of an effective funding base. (13)
Establishment of an effective exhibition program. (5)
Establishment of a program for capital improvements. (4)
Increased volunteer support. (4)
Resources to increase collections. (4)
On-going educational programs. (3)
Determination of the tvpe of l!overnance necded for the Museum's Iuture. (_~ :
Increased staff and professional staff development. (3) .
Broaden base for community involvement. (2)
1
-,..
"
\.'.
'...'
The followin~ issues were listed once.
10. People to assist in carrying out long-range plan.
11. Better inter-staff communication.
12 Support of Saline County Historical Society.
13. Ability to expand programs and exhibits.
14. Support from the Friends.
15. Preservation of notable speeches. civic events, etc. on audio and/or video tape.
16. Harmonv between Museum Committee. Friends. Store. volunteers and staff.
I 7. Greater staff/volunteer effort for collections and education.
18. Establishment and reconciliation of !Zoals and resources.
1 Y. Collections catalog and documentation betore development of permanent exhilbiL
20. AA1\1 accreditation.
21. Defining tar!Zet audience and development of a plan on how to reach them.
..,.., That the-Museum find its "nichc" an'd kecp it .
23. Creativitv and innovation. '
24. Greater visibility in programming and services.
25. Competition for funds.
26. Development of a "can do" attitude.
~vIK COMMU:\"ICATIONS
APPENDIX C.
RESULTS OF PLANNING SESSION
AUDIENCES AND THEIR NEEDS
C1
1.
The planning committee identified that the IvIuseum's primarv audiences as:
Families with children
(includes single parents and grandparents i
Informative exhibits
Participatory activities
Place to drop off kids
Summer camp activities
History "Club"
..,
Tourists
S ignage
Brochures
Extended hours
Greeters to provide basic information
Information for frontline people in motels.
restaurants. ctc.
Brochure distribution
Greater cooperation with tourism agencies
including better packaging
3.
Schools
Outreach to schools
Tie into Kansas History programs
Partnership with schools. including
better collaboration with teachers
Tours of Museum
High school student as docents
Ect'ucation coordinator
Speakers for schools
Saline County Residents
Reason to come to Museum
Special interest exhibits/programs
Sense of ownership
5. Historical Grouns
Resources for groups: information and
facilitv use
Research opportunity for college students
4.
6.
Community Grouns
Programs
Tours
Meeting place
Access beyond regular tours
Museum Store Customers
[nformation on Store activities
Expanded hours
Qualitv merchandise
Paid professional Store ;\fanager
Trained clerks
~.
Senior Citizens
Accessibility
Outreach
Information on Museum activities
Information on acquisition policy
Tour guides sensitive to needs
Ways for creative involvement
9.
Volunteers
Needed and appreciated
Information
Abilities utilized
Better integrated into Museum operatIon
10.
Friends
Focus
Identity/Purpose .
Better interaction with Museum operatIons
MK COMMUNICATIONS
r,
'--
CRITICAL ISSUES
The olanning committee was asked to idemitv me majOr critical issues facing the :\1useum ana l()
list the positIve and negative factors that impact the successfui resolution of these issues.
1. Fundim! base
Positive Factors
Public fundim! (citv/coumv/USD 305)
Grants -, - -
Ne~ative Factors
Lack of private funding
Government meeting stated obligation
Informed public on Museum actIvities
Lack of broad base support
,-
Friends
Positive Factors
501 (c) 3
Fund raising activities for Museum
Support for-the Museum
Museum Store
Ne~ative Factors
No ownership of Museum Store
Perception of the Friends membership
'"'
Identitv within the communin
Positive Factors
Cham!InQ exhibits
Strenmh -ot me collectIon
Cultural Plan to capitalize on
Word of mouth .
Nellative Factors
Museum is only repository for stuff
Awareness of Museum activities
Marketim!
Positive Factors
Brochure
Press coverage
Newsletter -
Posters
Poster distribution
j'-ie~ative Factors
~o strategIc marketIng plan
'\0 oroad base newsletter dlsmOUllc:-
Governance
Positive Factor:;
i-\ItS & Humanities Commlsslo;i
>'iefJative Factors
rundinQ under imerlocal aQreemem
Public oerceotion of no fundinrr needs Clue
to interlocal agreemem -
Educational Pro2:rammin~
Positive Factors
Varied audience in Salina
Communit\, interest in Museum
Good resources at Museum
Collaboration potemial
Ne~ative Factors
~.ack 01 solid programs lor scnoaL,
,,,"0 euucallon coordmator
Lack of funding
Need volumeer-staff for outreacn
Collections
Positive Factors
Good collection
Inventory 85% completed
Ne~ative Factors
Cataloging incomplete
Lack ot provence'
Lack of objects within catagones
Lack of specific categories
Acquisitions budget
Conservation needs
Archives
Security
Environmental contro:
1
"'T.
Buildin2:
Positive Factors
Good space
Structurallv sound
Location -
Ne~ative Factors
HVAC
Signarre
Fundin~
Parking
Accessibility
Security -
\IK COMj\It..:~~ICATIOl\S
C3
CRITICAL ISSUES commued.
9. Exhibits
Positive Factors
Changing exhibits
Qualitv of exhibits and collections
Programs relating to exhibits
~e~ative Factors
Lack of permanent exhibits
Ability to work with USD 305
Funding for staff
Time for research. development
and installation
Kids room not complete
lack of planning
\'0 oral history
\'eed for an exhibit commIttee
10. Museum Store
Positive Factors
Operated by volunteers
Quality and variety of merchandise
Ne~ative Factors
No paid professional Store Manager
Need for more trained sales clerks
Need for better security
Need for physical improvements
\ilK COMMUNICATIONS
c+
PRIMARY GOALS AND OBJECTIVES
The planning committee identified the following goals and objectives to further the Museum's
growth and development.
1. Provide financial securitv for the Museum.
a. Study the issues of governance relative to funding.
b. Identify physical assets and establish a system to protect assets.
c. Enlarge and expand sources of revenue.
Increase Dublic awareness and imDrove the Museum IS Dublic ima2:e.
a. Strengthen relationship between the Museum and the community.
b. Market the Museum and its programs.
c. Formalize advocacy group.
")
3. Increase Dublic outreach aIid nrovide diverse Dublic pro~rammi~
a. Identifv educational role in Salina and Saline countv.
b. Develop a comprehensive educational programming plan.
-to ,Establish a strOD!! and effective Friends or!!anization.
a. Define goals and purpose of the Friends organization.
b. Review the Friends relative to the needs of the Museum.
c. Establish benefits for membership.
:). Ensure on-2:oin2: dedicated volunteer SUDDort.
a. Evaluate present volunteer program.
b. Develop a comprehensive volunteer program.
c. Improve volunteer and staff relations.
h. Establish comDrehensive collections. exhibition and interpretation pr02:rams.
a. Identifv and evaluate exhibition issues.
b. Develop and implement an exhibition plan.
c. Identifv and evaluate collections issues.
d. Finalize and imnlement the collections manal!ement nolic\'.
e. Establish an exhibit and collections management committee.
f. Inform the public as to the needs of the collection.
MK COMMUNICATIONS
'Salina -/'1 r.ts and
t1 umanities Commission
TO:
RE:
SALINA ARTS AND HUMANITIES COMMISSIONERS
LONG-RANGE PLANNING RETREAT
MARTHA RHEA
APRIL 22, 1991
FROM:
DATE:
Enclosed is a proposal from Judy Todd for facilitation of our long-range
pl anni ng process thi s summer. (By the way, liThe Next Steps II refers to the
Wolf Report and its recommendations for the Arts and Humanities Commission.)
For your information a written summary is not the same as diagnostic or theory
work, so is part of the listed fee.
As a comparison---the Art Center budgeted $2,000 and $2,200 respectively for
1989 and 1990 to do a similar process. The Museum's long-range planning has
been more involved, but one and two day facilation fees have been $1,000 and
$1,500. These do not include preparation time or the final report.
Judy worked with the staff as a result of recommendations from the Wolf
Report. Her facilitation experience is varied and emphasizes organizational
structures that are people-based and mission driven. Please be ready to
discuss the proposal and to reach consensus at Thursday's meeting.
BOX 2181
211 W.IRON
SALINA. KS. 67402-2181
913-827-4640
Karen Graves, Chair / Betsy Poer, Vice-Chair / Nancy Hodges, Secretary-Treasurer
Dennis Carlson. Dan Diederich, Randy Graham. Ned Rose, Joe Warner, Jane Weathers, Paula J. Wright
1\1 I'or
Judy Mitchell Todd
Human Relations Consultant
913/827-1950
.
2100 Applewood Lane
.
Salina, Kansas 67401
A PROPOSAL FOR COISULTING SERVICES
SALINA ARTS AND HUMANITIES COMMISSION
GOAL.
Implementation of The Next Steps, epecially as concerns the Arts and
Humanities Commission.
OBJECTIVES
I . ,
· Gain consensus among commissioners concerning ~heir perception of
the present situation and their vision for arts and humanities in Salina
now that they have the Wolf report.
. Determine priorities for commission action
e' Examine the leadership role of the commission and others' roles
which affect arts and humanities.
- Note ongoing duties of the commission and plans for new action.
e' Agree on who will do what, when.
e" Decide how to keep the commission's vision alive.
.' Provide a relaxed, enj oyable process in which commissioners can
become better acquainted with each other.
THIING
An overnight retreat is suggested; for instance, it could begin with
dinner Friday and last until about 3 PM Saturday.
COSTS FOR PROCESS CONSULTANT A1iID RETREAT LEADER
$900 total for the project plus expenses
$150 expense estimate
copying
travel fro~ La~rence
room and Meals as needed
supplies and postage
submitted April 20, 1991
Judy Mitchell Todd
Human Relations Consultant
913/827.1950
.
2100 Applewood Lane
.
Salina, Kansas 67401
AUTHORIZATION FOR CONSULTANT SERVICES
The usual procedure:
Iphone call to explore the possibility of ~orking together, no charge.
linformation gathering through documents, phone calls and meetings
lanalysis of information, diagnosis and proposal of process
Icontracting for further services
lactual leading of processes as agreed upon r
I(optional) ~ritten summary and detailed recommendations for the future often
including resources, educational pieces and/or bibliography,
Charges for services rendered are based on the lesser of $600 a day or
$75 an hour plus actual expenses. This i~cludes all prf=parationexcept
for any written documents requested such as theory papers, d1.agnosis and
recommendations, or official documentation. These will be charged at the
above rate according to the time needed for preparation. One day is
usually needed to analyz~ the information gathered and to prE!pare a
writte~ diagnosis and proposal for future steps to take.
Authorization is hereby given for consultant services
by Judy Kitchell Todd for Salina Arts and Humanities Comnrlssion
as outlined in the attached proposal dated April 20, 1991.
provided a date for the proposed process can be agreed upon.
Information has already been gathered and analyzeq. This prclposal is a
result of that consultation.
Charges for the process as outlined will be $900 plus actual expenses.
Any additional services requested will be based on $75 an hour plus
expenses.
Agreed to and Acknowledged:
SALINA ARTS AND HUMANITIES COMMISSION
name
title
date
JUDY MITCHELL TODD
To: The National Educational Goals Panel
FFOVI: USD 305, Salina, KS
The Salina Arts and Humanities Commission
RE: Written Testimony
The Salina. KS Arts and Humanities Commission and USD 305 would like to
take this opportunity to testify to our unified agreement about the key
importance of the arts in education. We don't believe any national
educational goals can be complete without the inclusion of the arts.
The arts in education obviously provide an opportunity for studlents to
express themselves creatively. However, from the study of the arts
students also gain an understanding of world history. as well as the inter-
relationship of the arts with current social, economic and political trends.
The arts help students explore both global and national cultural
differences and similarities in a unique way that is both exciting and
interesting. Furthermore, the study of art criticism also provides
students with critical thinking models which will make them both better
art consumers and more able to make astute decisions about other
decisiclOS in life which require the use of critical thinking skills.
USD 305 and SAHC are involved in a partnership to infuse the arts into the
basic curriculum in Salina and also provide quality arts experiences for
each child. We believe that each student in America should have the same
opportunity as Salina children for a complete education. We hope that you
will give a more balanced emphasis to the arts as part of national
educational goals.
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Staff Report
April 10, 1991
Current:
1. The Prairie Planters will be upgraded this spring. Additional grasses
and flowering plants will be put in the beds in late April. In May,
the Park Department will kill off the bermuda qrass on the east and
west sides of the building, and put in buffalo'grass $od.
2. Production is underway for the "Remaking America" exhibit, opening April
21. The traveling exhibit will be expanded to look at ten local examples
of adaptive re-use. A hands-on resource center will be included in
the exhibit. (The program listing will be handed out at the meeting.)
3. Attendance figures for March were 1,152, which compares with 907 in
1990.
4. The museum is working on a grant to the Kansas Committee for the Humanities
to help underwrite the Depression Era project with the Art Center and
Public Library.
Activities:
1. "Qui lts in Dance & Drama" had a total audi ence of 101 on March 15, with
86 paying adults (children were admitted free). The program, sponsored
by the Friends, featured Community Theatre players and the Prairie Wind
Dancers from Lawrence.
2. Pamela Radcliffe, of Kansas State University, gave a program on quilt
conservation at home on March 29. Thirty-one people attended the Friends
sponsored program.
3. Barbara Brackman presented two quilt programs to a total of 50 people
on April 2. Again, the Friends of the Smoky Hill Museum underwrote
the sessions.
4. "A Quilter1s Life: Maudie Tinkler" closes on April 6. More than 2,065
people have visited the exhibit since it opened February 17. Thanks
are given to Shirley Wolf, Wilma Crowther, Maudie Tinkler and her relatives
for their help.
5. The collections policy committee (DeVere, Blomberg, Brian Palmer, and
Mary Douglass) met March 8 & 22, to review new policy. Several changes
were made in the draft report.
6. As part of the CAP suggestions, work night volunteers have cleaned light
bulbs, and installed UV filters on the florescent fixtures in storerooms
A & B; only room C and textile room #2 remain to be done.
Upcoming:
1. On April 11, the Kansas State University Community Service Project team
will be in Salina to meet with representatives of the museum and the
Art Center.
2. During the opening of "Remaking America" on Sunday, April 21, Bernd
Foerster, KSU School of Architecture, will give q lecture "Enjoying
Architecture" at 2:00 p.m. From 3:00-5:00 p.m., Jeff Gillam, of Jones-
Gillam Architects, will give computer assisted design demonstrations.
3. Doran Cart, Director of the Liberty Memorial in Kansas City, Missouri,
will gi ve teachers and our vol unteers a 1 esson on IIreadi ng the streets, II
and a walk through of the exhibit at 3:30 April 22.
4. On Thursday, April 25 (rain date May 2), Donnie Marrs, of DMA Architects
will lead a walking tour of downtown Salina~ The 5:30-7:DO session
will meet at the museum.
5. Mary Douglass will do a Santa Fe Sidewalk Tour of south Santa Fe homes
on Saturday, May 4, starting at 10:00 a.m. The tour will start from
the Sears Plaza.
6. A panel discussion on design options will be held at the museum on Sunday,
May 5 at 2:00 p.m. Interior and exterior design professionals will
talk about numerous choices and options available to people.
-",....,.,
. Smoky Hill
Museum
--~ ----
211 West Iron
P.O. Box 101
Salina. KS 67402-0101
(913) 827-3958
Museum Committee Meeting
Wednesday, April 10, 1991
2nd Floor Conference Room
3:30 p.m.
AGENDA
1.
2.
3.
4.
5.
6.
7.
8.
Open Forum
Minutes of the Meeting of March 13, 1991
Budget Review for March, 1991
Long Range Plan Final Report
Discussion of Revised Mission Statement
Collections Management Policy - DeVere and Brian
I
Staff Report
Other Business
IF YOU ARE UNABLE TO ATTEND, PLEASE CALL THE OFFICE, 827-3958.
- an affiliate of the Salina Arts & Humanities Commission __
. '
SMOKY HILL MUSEUM
Museum Committee
MINUTES
3:30 p.m., Wednesday
March 13, 1991
2nd Floor
Present: ,Ned Rose, Chair; Steve Ascher, DeVere Blomberg, Debbie Divine,
Karen Graves, Brian Palmer, Jane Weathers, Paula Wright, Tom Pfannenstiel,
and Joy Mansfield
Absent:
Rex Tjaden
Carmen Wilson, LWV Observer, was also in attendance.
There was no one present to address the public forum.
Action:
Minutes of the February 13, 1991 meeting were approved as mailed.
The February 1991 Budget Report was accepted.
Reports:
KSU Community Service Program--Debbie Divine
On March 2, Debbie and representatives from all the Kansas communities participating
in this summer project met at KSU for an overview of the entire program.
Salina1s four member student team will be back in town in April for more
of their preliminary studies. Debbie told of visiting, while on a recent
trip to Washington DC, with someone at the National Gallery who described
and praised their experience with the program. Housing arrangements are
being completed; some is still needed. Debbie will apprise the committee
of open dates as soon as they are known.
Collections Policy - Brian Palmer, DeVere Blomberg
This subcommittee has met once and gone over a number of Collections Policies
which were borrowed from other museums for study. A draft of SHM's own new
one 'Nill be presented at the April meeting of this committee. It is anticipated
that the size and scope of the Accessions Committee will be expanded by the
new p-ol icy.
Staff Report--Tom Pfannenstiel
Tom highlighted the written report (as mailed). He also reported that at
a meeting between Ned Rose, Karen Greene, Vi Justus and himself, Betsy Pyle
was unanimously selected as the person to fill the Museum Committee vacancy.
MOTI ON:
The committee voted unanimously in favor of submitting the name
of Betsy Pyle to the Arts and Humanities Commission for approval
at their next meeting.
Tom reported he has made application to Southwestern Bell for grant funds
in the amount of $2,250.00 to be used to help underwrite a workshop and outdoor
performance to be co-sponsored with the Salina Community Theatre.
Other points of information: The Maudie Tinkler exhibit is attracting larger-
than-usual audiences. Twenty-seven people attended the KSU course on the
Built Environment hosted here. He urged attendance at the Quilters Drama
Dance to be held at the SCT on March 15. The Art Center, Library, Theatre,
and Museum will co-op a Depression Era exhibit and films events this summer.
The meeting adjourned at 4:05.
Next meeting 2nd Wednesday, April 10, 1991 - 3:30 p.m.
'-"'~_""_"~'f-,- .__""""",".","'_~"..___""""__
'Salina /1 ~ts and . . .
11 umanities CommIssIon
TO:
RE:
FROM:
DATE:
POLICY AND PLANNING
MEETING - TUESDAY, APRIL 30, 4 P.M.
.MARTHA RHEA
APRIL 25, 1991
Next Tuesday's agenda deals basically with the "Task Force Rally" planned for
Saturday morning, May 18, at the Salina Community Theatre. Please review the
tentative schedule and come with comments and suggestions.
8:00 - 8:30 Gather for coffee, conviviality, etc. (A variety of
materials will be available from local and area cultural
resources.)
8:30 - 9:30 Steve Ryan Welcome
Karen Graves - Salina Arts and Humanities Commission role;
why did Community Cultural Planning
Joe Warner - Planning process and vision statement
Brad Anderson - "This placet' from artist's viewpoint
Break
9:45-10:15 Break into three task force groups - review specific
recommendations from Wolf Report
10:20-11:00 Review planning model
11:00 - Specific task forces organize: initial discussions on
approach; identify possible resource people; set time
line; PUT AGREED UPON MEETING TIMES ON MASTER CALENDAR.
Packets with the general task force job definition, list of task force
members, specific recommendations from the Wolf Report, vision statement,
and goals sheet will be available to each participant. Also the entire
Wolf Report can be picked up from the office prior to the meeting.
TASK'FORCE CHAIRS---bring a list of your members, addresses, and phone numbers
to the April 30 meeting.
See you then: that's Tuesday, April 30, at 4 p.m. in the Commission Room.
BOX 21 81
21 I W IRON
SALINA. KS. 67402-2181
913-827-4640
Karen Graves, Chair ! Betsy Poer. Vice-Chair ! Nancy Hodges. Secretary-Treasurer
Dennis Carlson, Dan Diederich, Randv Graham, N<ed Ro'e, Joe Warner. Jane Weathers. Paula J. Wriqht
r : ,.:.~ "t. .,,' : in
~.I \..J.J ~ LU.J U""H,j~ ~UJ III Ill~~IUJ l
I
S"alina ~~ J:,ts and . .
tt umanities CommIssIOn
TO:
FROM:
DATE:
ARTIST SERIES CORE GROUP
AGENDA, UPCOMING MEETING
MARTHA RHEA
APRIL 17, 1991
RE:
I
Becky and I have the following suggestions as an agenda for next Tuesday's
meeting (April 23, noon, Swedish Crown)---and some "food for thought" ideas.
We see beginning with the bigger picture and moving into the specifics of
handling the 1991-92 season, as a sort of nutshell experience.
General Series Questions
A. Name
B. Mission
C. Kind of Series---i.e., mix of disciplines; classical, popular,
experimental; etc.
D. How many events and where
E. Dollars---how much, how share, etc.
Regional Issues
A. Commonalities
B. Uniqueness
Actual Series - Suggested Committees
A. On-going Events Committee---searching out performance ideas
B. 91-92 Planning Committees
1. Marketi ng
2. Funding
3. Logistics
This certainly gives us plenty to do! Let's plan to end up with committees
identified and defined, and chairs/members suggested.
See you Tuesday, April 23, at the Swedish Crown in Lindsborg.
BOX 2181
21 I W IRON
SALINA,KS.67402-2181
913-827 -4640
Karen Graves, Chair / Betsy Poer, Vice.Chair / Nancy Hodges, Secretary-Treasurer
Dennis Carlson. Dan Diederich, Ran~y~raham NedR~~e, J~e Warner, Jane Weathers, Paula J. Wright
;,I1.".1 hn~d, E)". "l:'\!<' fhru:tor
DOROTHY l. ILGEN - EXECUTIVE DIRECTOR
SUITE 1004 - JAYHAWK TOWER
700 JACKSON
913-296-3335
TOPEKA, KANSAS 66603-3731
April 19, 1991
Marth.il Rhea
Salina Arts & Humanities Commission.
. 211 '\tVest" kon
PO Box 2181
Salina} KS 67401-2181
Dear M:artha:
On behaH of the Kansas Arts Commission, thank you for all the work you and your
staff, board members, and the Salina arts community put into arranging a reception
for Jolm Frohnmayer, Chairman of the National Endowment for the Arts. John was
very impressed with all that he saw in Kansas, especially the strong community
dedica.tion and the commitment to arts education. As a matter of fact, Chariman
Frohnmayer stated that he has not seen the same level of community commitment to
the arts in other states he has visited! .
The entire visit went well; I wish you could have been along to see the enthusiastic
receptilonswhich greeted John at every stop in Kansas.
Thank you again for helping to make Chairman Frohnmayer's visit to Kansas a
memorable one.
~ regards,
Dorothy L. gen
Execufive . ector
~ .j" P.;-
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